Feminist Companion Archive.
Theatre Royal, Drury Lane
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Ann Yearsley | As early as March-April 1788 AY
's backers Eliza Dawson
and Wilmer Gossip
were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at... |
Publishing | Frances Sheridan | She had written it after fleeing to Blois in France with her family after a theatre riot greeted a performance of Voltaire
's Mahomet, and had intended it to be the first of a... |
Reception | Joanna Baillie | In general JB
was criticised for lacking stage-craft—by Elizabeth Inchbald
, for example, who must have been a good judge. It was said that her sonorously-voiced passions float unanchored; her comedies are too sweet. |
Textual Features | Mary Julia Young | MJY
's poem, in fast-moving heroic couplets, opens with Genius invoking the aid of Fancy. Fancy insists that the most beautiful and versatile of the muses is Thalia (who presides over comedy). After urging the... |
Textual Production | Catharine Trotter | CT
's first play, Agnes de Castro. A Tragedy, opened at Drury Lane
. Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate. 254 Greer, Germaine et al., editors. Kissing the Rod. Virago. 406 The London Stage 1660-1800. Southern Illinois University Press. 1: 455 |
Textual Production | Bryony Lavery | BL
collaborated with Nona Shepphard
on The Drury Lane
Ghost, staged in London in 1989, Peter Pan, 1991 (in which she played the voice of Tinkerbell), and The Sleeping Beauty, 1992. On... |
Textual Production | Phebe Gibbes | A musical drama by PG
was accepted for production, but then lost, by Richard Brinsley Sheridan
, new manager of Drury Lane Theatre
. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Mary Pix | After asking the actor George Powell
to help her get it accepted at Drury Lane, she had then taken it to the other theatre, and claimed that Powell plagiarised it in his The Imposture Defeated... |
Textual Production | Sarah Scudgell Wilkinson | SSW
adapted The Travellers; or, Prince of China: An interesting story from an opera, The Travellers, with music by Domenico Corri
and libretto by Andrew Cherry
, which had opened at the Theatre Royal, Drury Lane |
Textual Production | Marianne Chambers | The same year it played at the Theatre Royal
itself, and also reached print. |
Textual Production | Frances Brooke | FB
's Virginia a Tragedy, with Odes, Pastorals, and Translations appeared in print. David Garrick
and John Rich
had rejected this tragedy for the stage. The play had been in competition with one of the... |
Textual Production | Jane Porter | JP
wrote several plays. She had already refused one invitation to write for Drury Lane
when in March 1816 she met and was impressed by both Edmund Kean
and his wife, Mary
. Mary described... |
Textual Production | Eliza Fenwick | EF
published, again with Tabart
, The Life of Carlo, the Famous Dog of Drury-Lane Theatre. Grundy, Isobel, and Eliza Fenwick. “Introduction and Appendices”. Secresy, 2ndnd ed, Broadview, pp. 7 - 34, 361. 12 |
Textual Production | Clotilde Graves | Many of CG
's sixteen plays (often but not all light comedy), have remained unpublished, though produced on stage in London and New York. The earliest of these, the blank-verse tragedy Nitocris, was... |
Textual Production | Robert Browning | RB
's play A Blot in the 'Scutcheon, the fifth instalment of his Bells and Pomegranates series, opened at the Drury Lane Theatre
with Helen Faucit
playing Mildred. Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press. Thomas, Donald. Robert Browning: A Life Within Life. Weidenfeld and Nicolson. 64 |
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