Randolph, Jody Allen. “What Great Art Removes”. Women’s Review of Books, Vol.
26
, No. 2, pp. 21-2. 22
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Wendy Cope | Many of these poems first appeared in newspapers and periodicals: the Daily Telegraph, The Guardian, The Independent, Oxford Poetry, Poetry Review, and so on, and one pseudonymously as a submission... |
Anthologization | Anne Stevenson | AS
has continued to contribute poems to many of the available outlets: journals like PN Review, the London Review of Books, the Times Literary Supplement, Poetry Wales, Poetry Ireland, The... |
Literary responses | Eavan Boland | The volume (called by Jody Allen Randolph
a sustained meditation on power and loss—of nation, of language, of illusions, and possibly of the self anchored by these) Randolph, Jody Allen. “What Great Art Removes”. Women’s Review of Books, Vol. 26 , No. 2, pp. 21-2. 22 Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Literary responses | Eavan Boland | This collection received a Poetry Book Society
Special Commendation. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Occupation | Jo Shapcott | JS
began teaching English at Rolle College
in Exmouth (one of the three main campuses of the University of Plymouth
, which, however, is due to be relocated in a movement towards centralization). She then... |
Occupation | Philip Larkin | From the 1960s PL
became a committee-man and public intellectual. He rendered service in various ways to his profession of librarianship. For the Arts Council of Great Britain
he served on the literature panel, and... |
Occupation | Kate Clanchy | For a year KC
worked at the Oxford University Department of Education
. From then until the present she has continued her freelance career as a teacher, writer, journalist, and broadcaster. She has been a... |
Publishing | Penelope Shuttle | |
Reception | Gillian Clarke | Reviewers of this book included Anne Stevenson
. Letting in the Rumour, which followed in 1989, was a Poetry Book Society
recommendation and was reviewed by Sheenagh Pugh
. Elfyn, Menna, editor. Trying The Line. Gomer. 106 Gillian Clarke. http://gillianclarke.co.uk/home.htm. |
Reception | Ruth Padel | Kathryn Gray
, reviewing this collection in Mslexia, noted Padel's readiness to break the rules, and found her usually on the right side of the fine line separating the sublime from the ridiculous. Gray, Kathryn. “review of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Soho Leopard</span>”;. Mslexia, Vol. 22 , p. 48. 48 |
Reception | Gillian Clarke | Tony Conran
in New Welsh Review noted that he found this the most satisfying of GC
's collections so far, Elfyn, Menna, editor. Trying The Line. Gomer. 19 |
Reception | Kathleen Raine | Critics applauded the pure and chiselled images Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research. 20: 295 Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research. 20: 295 |
Reception | Gillian Clarke | Again, this book was a Poetry Book Society
recommendation. A reviewer noted the use in these poems of kennings and of slate-sharp stress patterns. Gillian Clarke. http://gillianclarke.co.uk/home.htm. |
Reception | Carol Rumens | This was named as a Poetry Book Society
Recommendation. |
Reception | E. J. Scovell | This volume was a Poetry Book Society
recommendation. Dowson, Jane, editor. Women’s Poetry of the 1930s: A Critical Anthology. Routledge. 122 |
No bibliographical results available.