Randolph, Jody Allen. “What Great Art Removes”. Women’s Review of Books, No. 2, pp. 21 - 2.
22
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Anne Stevenson | AS
has continued to contribute poems to many of the available outlets: journals like PN Review, the London Review of Books, the Times Literary Supplement, Poetry Wales, Poetry Ireland, The... |
Anthologization | Wendy Cope | Many of these poems first appeared in newspapers and periodicals: the Daily Telegraph, The Guardian, The Independent, Oxford Poetry, Poetry Review, and so on, and one pseudonymously as a submission... |
Literary responses | Eavan Boland | The volume (called by Jody Allen Randolph
a sustained meditation on power and loss—of nation, of language, of illusions, and possibly of the self anchored by these) Randolph, Jody Allen. “What Great Art Removes”. Women’s Review of Books, No. 2, pp. 21 - 2. 22 Solo: Search Oxford University Libraries Online. |
Literary responses | Eavan Boland | This collection received a Poetry Book Society
Special Commendation. OCLC WorldCat. |
Occupation | Philip Larkin | From the 1960s PL
became a committee-man and public intellectual. He rendered service in various ways to his profession of librarianship. For the Arts Council of Great Britain
he served on the literature panel, and... |
Occupation | Kate Clanchy | For a year KC
worked at the Oxford University Department of Education
. From then until the present she has continued her freelance career as a teacher, writer, journalist, and broadcaster. She has been a... |
Occupation | Jo Shapcott | JS
began teaching English at Rolle College
in Exmouth (one of the three main campuses of the University of Plymouth
, which, however, is due to be relocated in a movement towards centralization). She then... |
Publishing | Penelope Shuttle | |
Reception | Helen Dunmore | HD
became a Fellow of the Royal Society of Literature in 1997 and was awarded an Honorary DLitt by the University of Glamorgan
in 1998. Who’s Who. Adam and Charles Black, 1849. |
Reception | Patricia Beer | According to the Dictionary of Literary Biography, reviewers liked this book, praising its vivid and forceful use of language. PB
, however, later remembered that it brought the killer bees out in force, led... |
Reception | Elaine Feinstein | This volume won a Poetry Book Society
Special Commendation. Feinstein, Elaine. The Clinic, Memory. Carcanet, 2017. cover |
Reception | Patricia Beer | Reviews were again highly favourable, and this book too was a Poetry Book Society
choice. Caroline L. Cherry
has written that here traditional forms and meters, paradoxes, dazzling wordplay, and complexities are tempered with a... |
Reception | Selima Hill | SH
's mother was delighted at her success, but nonetheless afraid of the events of her life becoming public: after this Hill began to carefully code her poems to evade biographical criticism. Taylor, Debbie. “Interview with Selima Hill”. Mslexia, pp. 39 -40. 40 |
Reception | Penelope Shuttle | This was PS
's third book to be chosen as a Poetry Book Society
Recommendation. |
Reception | Eavan Boland | The Carcanet
edition was a Poetry Book Society
Choice. OCLC WorldCat. |