Plumptre, Anne. “Introduction”. Something New, edited by Deborah McLeod, Broadview, p. vii - xxix.
xxvii
Connections Sort descending | Author name | Excerpt |
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Textual Features | Isabella Beeton | As it turned out, however, most of the recipes and information in the book came from published sources, though two popular cookery books directed at the middle classes, Hannah Glasse
's The Art of Cookery... |
Textual Production | Anne Plumptre | This translation was published with her name through Longman
. Plumptre, Anne. “Introduction”. Something New, edited by Deborah McLeod, Broadview, p. vii - xxix. xxvii |
Textual Production | Martin Ross | Somerville's first-edition name, Geilles Herring, was changed on the second to Viva Graham. The third edition, from Longman
, bore her actual initials and surname. Cummins, Geraldine. Dr. E. Œ. Somerville: A Biography. Andrew Dakers. 248 |
Textual Production | Barbara Hofland | |
Textual Production | Mary Matilda Betham | Matilda Betham
published at Ipswich her first book, Elegies, and other Small Poems (including many in ballad metre), dedicated to Lady Jerningham
. The British Library
has a copy of this work published in London... |
Textual Production | Stevie Smith | From hospital SS
wrote to John Guest
(her editor at her final publishers, Longman
) about the typescript of new poems including Come, Death. Smith, Stevie. Me Again. Editors Barbera, Jack and William McBrien, Vintage. 324-5 |
Textual Production | Maria Edgeworth | |
Textual Production | Anthony Trollope | AT
remained with the publisher Longman
for this second novel in Chronicles of Barsetshire, titled Barchester Towers from the cathedral. Sutherland, John. The Stanford Companion to Victorian Fiction. Stanford University Press. 42 The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1535 (28 March 1857) 395 |
Textual Production | Elizabeth Hamilton | EH
would clearly have been unable, for health reasons, to participate in the abortive Longman
's project reported by Catherine Hutton
very shortly before Hamilton died—a projected women's periodical, which was to bear EH
's... |
Textual Production | Eleanor Anne Porden | The preface to this work apologizes for not apologizing: The greatness of an enterprize, while it increases the diffidence of an Author, almost destroys the right of apology. If . . . I have ventured... |
Textual Production | Barbara Hofland | |
Textual Production | Margaret Roberts | MR
, as the author of Mademoiselle Mori, published with Longmans, Green
another highly successful novel in two volumes: The Atelier du Lys; or, An Art Student in the Reign of Terror. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Isabella Kelly | |
Textual Production | Martin Ross | Pinker had said he could get them £2,000 for a sequel to the first collection. Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber. 135 |
Textual Production | Edith Somerville | She was anxious about the production of this book. She tried to set aside two and a half hours every morning for writing, but was often interrupted. In the evenings, with the help of Jem Barlow |
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