Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America.
108
Broadview Press
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Publishing | Amelia Opie | AO
wrote this novel in order to grapple with the events of 1794, a year which saw the end of the Terror in France, but at home the suspension of Habeas Corpus and the treason... |
| Publishing | Marie Corelli | The novel is an indictment of the Decadent Movement for its immorality and sensationalism, yet critic Annette R. Federico
notes that the antidecadent novel is packaged as the very flower of decadence, even down to... |
| Publishing | Mary Shelley | In 1823 William Godwin
(inspired by a successful dramatisation of his daughter's novel, playing at the Lyceum Theatre
in London as Presumption; or, The Fate of Frankenstein) arranged a second edition for MS
's... |
| Publishing | Elizabeth Inchbald | She had finished writing it about two years earlier, during the revolutionary period. |
| Publishing | Ouida | Natalie Schroeder
did an edition for Broadview Press
in 2005. |
| Publishing | Mary Shelley | During this year MS
helped her husband arrange the scenes in his incest-drama, The Cenci. Purinton, Marjean D. “Polysexualities and Romantic Generations in Mary Shelley’s Mythological Dramas <span data-tei-ns-tag="tei_title" data-tei-title-lvl="m">Midas</span> and <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Proserpine</span>”;. Women’s Writing, Vol. 6 , No. 3, pp. 385-11. 388 |
| Publishing | Dinah Mulock Craik | Despite the immense success of this book, DMC
continued to publish anonymously, though she took steps to set the record straight when someone else tried to claim the authorship of John Halifax. Mitchell, Sally. Dinah Mulock Craik. Twayne. 13 |
| Publishing | Anna Brownell Jameson | It went through more than a dozen editions, generally illustrated, in Britain, the US, and the continent, and was translated into German. Lynn M. Alexander
's edition for Broadview Press
appeared in 2005. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, pp. 41-57. 41 |
| Publishing | Dorothy Richardson | When she finished the novel early in 1913, she showed it to Jack Beresford and a publisher. Neither of them was enthusiastic, so the manuscript was stored for some time. In January 1915, Beresford suggested... |
| Publishing | Sarah Orne Jewett | It had originally appeared in four instalments in the Atlantic Monthly the same year. The Broadview
edition of 2009 includes with it four more stories as the Dunnet Landing Tales. |
| Publishing | Dorothy Richardson | |
| Publishing | Ella Hepworth Dixon | Dixon said she had begun this work in 1892-3, before the rush of woman-books began. Fehlbaum, Valerie. Ella Hepworth Dixon: the Story of a Modern Woman. Ashgate. 124 |
| Publishing | Mary Robinson | MR
revised her book in its second edition, later the same year, as Thoughts on the Condition of Women, and on the Injustice of Mental Subordination. It was edited for Broadview Press
by Sharon M. Setzer |
| Publishing | Sara Jeannette Duncan | A Broadview Press
edition by Gillian Siddall
appeared in 2001. |
| Publishing | Amy Levy |
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