Kelly, Gary. Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft. Macmillan.
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Connections Sort descending | Author name | Excerpt |
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Publishing | Mary Wollstonecraft | Many critics describe this as a travel book: the first one by a Romantic writer to deal with the exotic North. Critic Gary Kelly
, however, says that it purports Kelly, Gary. Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft. Macmillan. 177 |
Publishing | Hannah Webster Foster | The full title was The Coquette; or, The History of Eliza Wharton; a Novel; founded on fact. It proved to be a best-seller, having eighteen more editions up to 1874. One published at Boston... |
Publishing | Amelia Opie | Its full title was The Father and Daughter. A tale in prose; with an Epistle from the Maid of Corinth to her lover; and other poetical pieces. After a first print-run of 750 copies... |
Publishing | Jane Collier | JC
's commonplace-book contains notes towards her preface for this book. Collier, Jane et al. Common Place Book. 144 |
Publishing | Cicely Hamilton | Lena Ashwell
, manager of the Kingsway, played the lead in this production. CH
published Diana of Dobson's as a novel in this same year, but it did not reach print as a play until... |
Publishing | Amelia Opie | AO
wrote this novel in order to grapple with the events of 1794, a year which saw the end of the Terror in France, but at home the suspension of Habeas Corpus and the treason... |
Publishing | Mary Shelley | In 1823 William Godwin
(inspired by a successful dramatisation of his daughter's novel, playing at the Lyceum Theatre
in London as Presumption; or, The Fate of Frankenstein) arranged a second edition for MS
's... |
Publishing | Marie Corelli | The novel is an indictment of the Decadent Movement for its immorality and sensationalism, yet critic Annette R. Federico
notes that the antidecadent novel is packaged as the very flower of decadence, even down to... |
Publishing | Mary Shelley | During this year MS
helped her husband arrange the scenes in his incest-drama, The Cenci. Purinton, Marjean D. “Polysexualities and Romantic Generations in Mary Shelley’s Mythological Dramas <span data-tei-ns-tag="tei_title" data-tei-title-lvl="m">Midas</span> and <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Proserpine</span>”;. Women’s Writing, Vol. 6 , No. 3, pp. 385-11. 388 |
Publishing | Elizabeth Inchbald | She had finished writing it about two years earlier, during the revolutionary period. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 108 |
Publishing | Ouida | Natalie Schroeder
did an edition for Broadview Press
in 2005. |
Publishing | Dinah Mulock Craik | Despite the immense success of this book, DMC
continued to publish anonymously, though she took steps to set the record straight when someone else tried to claim the authorship of John Halifax. Mitchell, Sally. Dinah Mulock Craik. Twayne. 13 |
Publishing | Anna Brownell Jameson | It went through more than a dozen editions, generally illustrated, in Britain, the US, and the continent, and was translated into German. Lynn M. Alexander
's edition for Broadview Press
appeared in 2005. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, pp. 41-57. 41 |
Publishing | Dorothy Richardson | When she finished the novel early in 1913, she showed it to Jack Beresford and a publisher. Neither of them was enthusiastic, so the manuscript was stored for some time. In January 1915, Beresford suggested... |
Publishing | Sarah Orne Jewett | It had originally appeared in four instalments in the Atlantic Monthly the same year. The Broadview
edition of 2009 includes with it four more stories as the Dunnet Landing Tales. |
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