Heinemann

Connections

Connections Sort ascending Author name Excerpt
Reception Laurence Hope
A number of evaluations of Hope's work appeared at her death. Thomas Hardy 's obituary for her, printed in the Athenæum, praised the tropical luxuriance and Sapphic fervour of The Garden of Káma...
Reception Dodie Smith
When the first volume appeared, Michael Kennedy commented in his review in the Daily Telegraph that it was a book ready-made for a Woman's Hour serial (and that is meant as a compliment)
Kennedy, Michael. “Review of Dodie Smith, Look Back with LoveDaily Telegraph, 11 July 1974.
(11 July 1974)
Reception Olivia Manning
The first series was praised by critics but was less than successful in terms of sales. OMbegan to feel that she was neglected as a serious novelist, a view shared by some contemporary writers...
Reception Storm Jameson
Charles Evans at Heinemann sent The Happy Highways to John Galsworthy , who read it with appreciation. Galsworthy observed by letter that [t]he authoress has done what none of the torrential novelists of the last...
Publishing Henry Handel Richardson
It was substantially completed in draft before she moved in 1903 from Germany to England. There she felt that literature was at a low ebb, with an insular public which valued only utilitarian writers like...
Publishing Penelope Lively
For this book she switched publishers, from Heinemann to Deutsch . She used her childhood memories, but also did research into tanks, second world memoirs, diaries, and fiction, and into the campaign in the Libyan...
Publishing Constance Garnett
For this her publisher, Heinemann , paid her by the piece: twelve shillings per 1,000 words.
Tomalin, Clare. “Constance Garnett (1861 - 1946)”. Breaking Bounds. Six Newnham Lives, edited by Biddy Passmore, Newnham College, 2014, pp. 14-25.
21
The work left her eyesight severely weakened, so that she was forced to adopt the method of having...
Publishing Caroline Blackwood
CB changed publishers to Heinemann for a volume of short stories and essays titled with the words of Shakespeare 's Ophelia, which had been given a new slant by Eliot in The Waste Land:...
Publishing Patricia Highsmith
The first version was rejected by Harper and Row with the comment: A book can stand one or even two neurotics, but not three who are the main characters.
qtd. in
Highsmith, Patricia. Plotting and Writing Suspense Fiction. St Martin’s Press, 1990.
128
After writing and publishing an...
Publishing Gladys Henrietta Schütze
She worked on her first novel in secret and was advised by William Pett Ridge (P. R.) to send it to Sydney Pawling at Heinemann , but Pawling sent it back with a...
Publishing Buchi Emecheta
Nova, a magazine that BE describes as a very glossy high-class magazine for the liberated woman, later decided to serialise In the Ditch.Despite the publisher's concerns, it went into many editions, including one...
Publishing Henry Handel Richardson
She felt that her second volume had been a failure, and this made it very hard to go on. Then Heinemann , with low expectations for sales and set back by the stark undiluted tragedy...
Publishing Antonia White
Her husband Tom Hopkinson used persuasion and compulsion to get her to complete her manuscript, giving her deadlines for reading it to him, chapter by chapter.
Vaux, Anna. “Biscuits. Oh good!”. London Review of Books, 27 May 1999, pp. 32-4.
32
Hopkinson, Amanda. “Aunt Tony”. London Review of Books, 10 June 1999, pp. 4-5.
4
It was then rejected by a whole...
Publishing Viola Tree
Heinemann published VT 's unusual biography of her husband, Alan Parsons ' Book, A Story in Anthology, which she had first offered to the Hogarth Press .
OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
“The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive.
(16 November 1938): 9
Publishing Vita Sackville-West
VSW published with the Hogarth Press her first travel book, Passenger to Teheran; she broke her contract with Heinemann to do so.
Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols.
3: 247n1, 266n3

Timeline

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Texts

Lively, Penelope. Next to Nature, Art. Heinemann, 1982.
Lively, Penelope. Nothing Missing but the Samovar. Heinemann, 1978.
Lively, Penelope. Pack of Cards. Heinemann, 1986.
Lively, Penelope. Perfect Happiness. Heinemann, 1983.
Lively, Penelope. The Road to Lichfield. Heinemann, 1977.
Lively, Penelope, and Harold Jones. The Voyage of QV 66. Heinemann, 1978.
Lively, Penelope, and Gareth Floyd. The Whispering Knights. Heinemann, 1971.
Lively, Penelope, and Juliet Mozley. The Wild Hunt of Hagworthy. Heinemann, 1971.
Lively, Penelope. Treasures of Time. Heinemann, 1979.
Lytton, Constance. Letters of Constance Lytton. Editor Balfour, Elizabeth Edith, Countess of, Heinemann, 1925.
Lytton, Constance. Prisons and Prisoners. Heinemann, 1914.
Mackay, Shena. Babies in Rhinestones, and Other Stories. Heinemann, 1983.
Mackay, Shena. Dreams of Dead Women’s Handbags. Heinemann, 1987.
Mackay, Shena. Dunedin. Heinemann, 1992.
Mackay, Shena. Redhill Rococo. Heinemann, 1986.
Mackay, Shena. The Laughing Academy. Heinemann, 1993.
Mackay, Shena. The Orchard on Fire. Heinemann, 1995.
Maillart, Ella K. ’Ti-Puss. Heinemann, 1951.
Manning, Olivia. A Different Face. Heinemann, 1953.
Manning, Olivia. A Romantic Hero. Heinemann, 1967.
Manning, Olivia. Artist among the Missing. Heinemann, 1949.
Manning, Olivia. Friends and Heroes. Heinemann, 1965.
Manning, Olivia. Growing Up. Heinemann, 1948.
Manning, Olivia. School for Love. Heinemann, 1951.
Manning, Olivia. The Doves of Venus. Heinemann, 1955.