Wolff, Robert Lee. Sensational Victorian. Garland.
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Connections Sort descending | Author name | Excerpt |
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Textual Features | Doreen Wallace | Tom, who felt the call to the ministry as a captain in the Merchant Navy
, and is husband to the protagonist, Mary Barry, is unquestioningly, effortlessly good and generous. (He performs miracles preserving the... |
Textual Features | Mary Elizabeth Braddon | Despite its sensational plot and purple prose, MEB
's first attempt at infusing a touch of poetry and the subjective into her writing through character painting Wolff, Robert Lee. Sensational Victorian. Garland. 161 |
Textual Features | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
Textual Features | Mary Elizabeth Braddon | In The Fatal Three the mostly loveless childhood of Mildred, the daughter of a frivolous society woman, is brightened only by the brief sojourn in her household of a woman presumed to be her illegitimate... |
Textual Features | Lucy Knox | The volume contains thirty-three poems. Lament of the loyal Irish in 1869, England and Pauperism, and England and Secular Education speak to social and political concerns, while other poems explore the disappointments of... |
Textual Features | Jean Plaidy | JP
's tone is darker here: she portrays Henry as a tyrant and the various power-hungry and quarrelling families (the Seymours and the Howards) as self-serving weaklings. She does not paint Katherine (as in her... |
Textual Features | Elizabeth Sewell | The story is of a young girl's development and close relationship with her mother. A High Anglican
message is important here, as it was to be in all of ES
's work. |
Textual Features | Charlotte Grace O'Brien | In 1869, the year that Gladstone disestablished the Church of Ireland
, she exclaims, Oh, noble face marked deep with inward strife! / Oh, steadfast eyes, through which thy soul looks out! In this first... |
Textual Features | Monica Furlong | This book reflects MF
's wide reading and an impish sense of humour employed to help her and her readers live with the unacceptable. Each chapter comes headed by a very funny cartoon and a... |
Textual Features | Ada Cambridge | For the wife of an Anglican
clergyman, the content was certainly unexpected. Indeed, as A. G. Stephens
has noted: The shock to the Rev. George Cross
[her husband] was overwhelming. Beilby, Raymond, and Cecil Hadgraft. Ada Cambridge, Tasma and Rosa Praed. Oxford University Press. 6 Vickery, Ann. “A ’Lonely Crossing’: Approaching Nineteenth- Century Australian Women’s Poetry”. Victorian Poetry, Vol. 40 , No. 1, pp. 33-54. 40.1 (Spring 2002): 41 |
Textual Features | Catherine Hubback | The later dangers which Agnes faces are chiefly theological: she moves towards Dissent
and specifically Presbyterianism
, but returns to the Church of England
, saved in part by a copy of The Christian Year... |
Textual Features | Monica Furlong | MF
's contributors here, both men and women, look back at childhoods in which belief and observance were integral parts. They include those whose remembered experience was gleaned within different faiths: Anglican
, Roman Catholic |
Textual Features | Evelyn Underhill | Like Practical Mysticism, this small volume attempts to synthesize religious experience and everyday life, but EU
is not here concerned primarily with mysticism. She is instead interested in describing what she finds to be... |
Textual Features | Frances Trollope | FT
was a strong believer in established religion, and as she had frowned upon English practices antithetical to the Church of England
, so too she found American religious pluralism unsettling. In one anecdote, she... |
Textual Production | Evelyn Underhill | EU
's writings about religious doctrine and practice include the historical and scholarly. The Times Literary Supplement warmly praised her most valuable essay in The Meaning of the Groups, edited by F. A. M. Spencer |
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