Gentleman’s Magazine. Various publishers.
(September 1854): 309
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Mary Lamb | Burton
writes: The adoption and appropriation of Mary's ideas and expressions in his own work was a natural activity of Charles
's writing, but compared with the retrospective recognition of Dorothy Wordsworth
's contribution to... |
Literary responses | Caroline Bowles | After CB
's death, the Gentleman's Magazine called The Birth-Daya charming series of pictures of her youth. Gentleman’s Magazine. Various publishers. (September 1854): 309 |
Literary responses | Mary Bryan | The Critical Review gave a couple of paragraphs to the collection, praising its soft and genuine sadness, the easy and unpremeditated . . . singularly graceful language, and the refined, enthusiastic, and cultivated mind Ragaz, Sharon. “Writing to Sir Walter: The Letters of Mary Bryan Bedingfield”. Cardiff Corvey: Reading the Romantic Text, No. 7. |
Literary responses | Augusta Webster | This first poetic attempt was well received. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research. 240: 333 |
Literary responses | Helen Maria Williams | Two of these poems became well-known on account of musical settings. The volume as a whole established HMW
's reputation and her allegiance to sensibility. It was no doubt a factor in producing Wordsworth
's... |
Literary responses | Caroline Norton | The Athenæum pronounced in fairly sympathetic tones that this volume bore a pathetic and direct reference upon the position and fortunes of its writer, alluding to the bereavements enforced by inexorable laws that denied Norton... |
Leisure and Society | Lady Eleanor Butler | The Ladies and the rural ideal they embodied became famous in literary circles, an object of pilgrimage alike to the lesbian Anne Lister
and to more conventional figures like William Wordsworth
and the Irish poet... |
Leisure and Society | Hannah More | Once an omnivorous reader, HM
restricted her choice of books in later life, in line with her religious convictions. She delighted in William Cowper
as a poet whom I can read on Sunday. Jones, Mary Gwladys. Hannah More. Cambridge University Press. 90 |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, pp. 38-77. 40 |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Catherine Hubback | CH
heads her volumes and chapters with quotations. Wordsworth
is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther... |
Intertextuality and Influence | Meiling Jin | In the introduction to the book of poems that was her first publication, MJ
noted that poetry was a form of expression that comes easier to me than most others. This state of affairs was... |
Intertextuality and Influence | Elizabeth B. Lester | There follows a series of six stories under the general title A Sketch from the Parlour of my Inn, three of which open with quotations from William Wordsworth
. The final story in this... |
Intertextuality and Influence | Joanna Baillie | Mary Berry
took the lead in promoting the volume. Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, pp. ix - xiv, 1. 11 |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
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