Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Intertextuality and Influence | Christina Rossetti | Praise for this second public collection was more muted and criticism more probing than before. John Westland Marston
, reviewing this volume too for the Athenæum, was still positive, but regretted that most of... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Intertextuality and Influence | Violet Hunt | The novel's title is taken from A. C. Swinburne
's poem Before the Mirror, 1869; VH
also includes a quotation from the poem in her book's preliminary pages. Hunt, Violet. White Rose of Weary Leaf. W. Heinemann, 1908. 8 |
Intertextuality and Influence | Anne Ogle | She may have had the help or collaboration of Swinburne
during its conception (many years before its eventual publication). They probably met on 17 August 1858 at Wallington in Northumberland. They both stayed there... |
Intertextuality and Influence | Anne Ogle | The novel ends with mention of the rioting rapids of the Tyne, a phrase that Swinburne
borrowed to end his Tale of Balen (1896). qtd. in Myers, Alan. “Myers Literary Guide to North-East England”. Northumbria University: Centre for Northern Studies, 2004. |
Literary responses | Emily Lawless | Algernon Swinburne
wrote Lawless a gushing letter on reading Grania, describing it as one of the most exquisite and perfect works in the language—unique in pathos, humour, and convincing persuasion of truthfulness. qtd. in Sichel, Edith. “Emily Lawless”. Nineteenth Century, Vol. 76 , July 1914, pp. 80-100. 85 |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | Elizabeth Siddal | The poems attracted little attention initially, except for their connection to ES
's life. Swinburne
was unusual in his estimation of her as a veritable artist in her own right. He discerned in A Year... |
Literary responses | Ouida | Critic Kenneth Churchill
argues that Ouida was the first English writer to chronicle the sense of growing disillusion qtd. in Twentieth-Century Literary Criticism. Gale Research, 1978–2024, Numerous volumes. 43: 376 |
Literary responses | George Eliot | On the whole reviewers were enthusiastic (E. S. Dallas
began his notice in the Times, George Eliot is as great as ever qtd. in Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble, 1971. 131 |
Literary responses | Mary Louisa Molesworth | MLM
had the habit of reading her stories to her own children from manuscripts tucked inside the covers of printed books, so that she would be able to solicit their opinion and know them to... |
Literary responses | E. Nesbit | When EN
asked Bernard Shaw
to review the first Lays and Legends for To-Day, he responded with a pretend review contained in a letter, a masterpiece in faint praise: The author has a fair... |
Literary responses | Sarah Williams | Geraldine Jewsbury
wrote a review of Twilight Hours for the Athenæum in which she describes SW
's work as promising, but unfulfilled and melancholy. The review explains that her life . . . seems to... |
Literary responses | Mathilde Blind | The article brought her some prominence. Swinburne
found the new readings most precious. Swinburne, Algernon Charles. The Swinburne Letters. Editor Lang, Cecil Y., Yale University Press, 1959–1962, 6 vols. 2: 116 |
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