Algernon Charles Swinburne

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Standard Name: Swinburne, Algernon Charles

Connections

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Intertextuality and Influence Lady Margaret Sackville
LMS 's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate...
Intertextuality and Influence Christina Rossetti
Praise for this second public collection was more muted and criticism more probing than before. John Westland Marston , reviewing this volume too for the Athenæum, was still positive, but regretted that most of...
Intertextuality and Influence Ella Wheeler Wilcox
Without ever owning the complete works of Théophile Gautier , Alphonse Daudet , Shakespeare , Byron , or Swinburne , she read bits and pieces of them all, and they helped to shape her style...
Intertextuality and Influence Violet Hunt
The novel's title is taken from A. C. Swinburne 's poem Before the Mirror, 1869; VH also includes a quotation from the poem in her book's preliminary pages.
Hunt, Violet. White Rose of Weary Leaf. W. Heinemann, 1908.
8
Swinburne's verse was dedicated to...
Intertextuality and Influence Anne Ogle
She may have had the help or collaboration of Swinburne during its conception (many years before its eventual publication). They probably met on 17 August 1858 at Wallington in Northumberland. They both stayed there...
Intertextuality and Influence Anne Ogle
The novel ends with mention of the rioting rapids of the Tyne, a phrase that Swinburne borrowed to end his Tale of Balen (1896).
qtd. in
Myers, Alan. “Myers Literary Guide to North-East England”. Northumbria University: Centre for Northern Studies, 2004.
Literary responses Emily Lawless
Algernon Swinburne wrote Lawless a gushing letter on reading Grania, describing it as one of the most exquisite and perfect works in the language—unique in pathos, humour, and convincing persuasion of truthfulness.
qtd. in
Sichel, Edith. “Emily Lawless”. Nineteenth Century, Vol.
76
, July 1914, pp. 80-100.
85
J. M. Synge
Literary responses Anna Steele
The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book.
The Academy.
11 (3 February 1877): 91
Literary responses Elizabeth Siddal
The poems attracted little attention initially, except for their connection to ES 's life. Swinburne was unusual in his estimation of her as a veritable artist in her own right. He discerned in A Year...
Literary responses Ouida
Critic Kenneth Churchill argues that Ouida was the first English writer to chronicle the sense of growing disillusion
qtd. in
Twentieth-Century Literary Criticism. Gale Research, 1978–2024, Numerous volumes.
43: 376
with the practical outcomes of the new state established in Italy by the Risorgimento. She...
Literary responses George Eliot
On the whole reviewers were enthusiastic (E. S. Dallas began his notice in the Times, George Eliot is as great as ever
qtd. in
Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble, 1971.
131
), but the ending of The Mill on the Floss...
Literary responses Mary Louisa Molesworth
MLM had the habit of reading her stories to her own children from manuscripts tucked inside the covers of printed books, so that she would be able to solicit their opinion and know them to...
Literary responses E. Nesbit
When EN asked Bernard Shaw to review the first Lays and Legends for To-Day, he responded with a pretend review contained in a letter, a masterpiece in faint praise: The author has a fair...
Literary responses Sarah Williams
Geraldine Jewsbury wrote a review of Twilight Hours for the Athenæum in which she describes SW 's work as promising, but unfulfilled and melancholy. The review explains that her life . . . seems to...
Literary responses Mathilde Blind
The article brought her some prominence. Swinburne found the new readings most precious.
Swinburne, Algernon Charles. The Swinburne Letters. Editor Lang, Cecil Y., Yale University Press, 1959–1962, 6 vols.
2: 116
Her close friendship with Ford Madox Brown and his family grew out of the piece, and her descriptions of scenery...

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