Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America.
16
Connections | Author name Sort descending | Excerpt |
---|---|---|
Family and Intimate relationships | Elizabeth Inchbald | EI
was introduced to John Philip Kemble
(who was to become famous as an actor-manager), in Manchester, by his sister Sarah Siddons
. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 16 Inchbald, Elizabeth. “Introduction”. A Simple Story, edited by Jane Spencer and Joyce Marjorie Sanxter Tompkins, Oxford University Press, p. vii - xxxiii. xxxi |
Friends, Associates | Elizabeth Inchbald | EI
laid the foundations of her lifelong friendship with Sarah Siddons
while the two of them were acting with Joseph Younger
's company in Liverpool in 1776. Later she became a close friend of another... |
Publishing | Anna Brownell Jameson | The biographical impulse is everywhere evident in ABJ
's writing, including her writing on art. In addition to the full-length studies mentioned above, she published shorter articles on Albrecht Dürer
, Mrs Siddons
, and... |
Family and Intimate relationships | Adelaide Kemble | Of her paternal aunts, Sarah Siddons
was immeasurably the most famous actress of her generation in Britain and Elizabeth Whitelock
achieved some theatrical success in the USA, while Ann Hatton
, the youngest and the... |
Family and Intimate relationships | Fanny Kemble | One of FK
's paternal aunts, Sarah Siddons
, became a celebrity as the leading tragic actress of her generation. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. Marshall, Dorothy. Fanny Kemble. Weidenfeld and Nicholson. 8, 52 |
Friends, Associates | Fanny Kemble | Harriet Siddons was the widow of Sarah Siddons
's youngest son, the actor-manager Henry
. While in Edinburgh, FK
met Anna Jameson
and engaged in frivolous courtships. Marshall, Dorothy. Fanny Kemble. Weidenfeld and Nicholson. 28, 42 Clinton, Catherine. Fanny Kemble’s Civil Wars. Simon and Schuster. 33 |
Dedications | L. E. L. | There is again evidence that financial pressures played a part in her family's eagerness to see her in print. L. E. L.,. “Introduction”. The Fate of Adelaide, edited by Francis Jacques Sypher, Scholars’ Facsimiles and Reprints. 17-18 |
Theme or Topic Treated in Text | Anna Margaretta Larpent | Criticism has an even freer rein in the later than in the earlier diaries. In 1790 AML
found Mariana Starke
's unpublished The British Orphans indelicate and Starke
's The Widow of Malabar showy but... |
Occupation | Sophia Lee | In 1795 SL
subscribed, as Miss Lee of Belvedere and clearly for the use of the school, to James Marshall's Library
of Bath, a circulating library with a comparatively small proportion of fiction in its... |
Friends, Associates | Sophia Lee | Those present included Hester Lynch Piozzi
, Hannah More
and her sisters, Sarah Siddons
, and others. The great point at issue was the gender of the anonymous author. |
Publishing | Sophia Lee | One of the last postponements, in spring 1796, resulted from the illness of Sarah Siddons, who was to star in it along with her brothers. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, p. ix - lii. xxxiii |
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
Friends, Associates | Hannah More | Here she began to gather the circle of friends which by the end of her long life had touched every cranny of English society. She had already met Edmund Burke
in Bristol the previous September... |
Reception | Hannah More | The Critical was brief and unfriendly: it said that the play, though not the best, is, perhaps, the bloodiest production of the modern drama . . . . The author is more obliged to a... |
Friends, Associates | Amelia Opie | AO
's friendship with Anne
and Annabella Plumptre
(daughters of Robert Plumptre
, Prebend of Norwich, both of whom grew up to be writers) dated from their shared childhood. Plumptre, Anne. “Introduction”. Something New, edited by Deborah McLeod, Broadview, p. vii - xxix. xxvi, ix-x |
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