Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, pp. 338-41.
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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Augusta Webster | She refers to the campaign for the vote as a side-effect of a disturbance in the relation of the sexes, of the Paradisaical, or Milton
ic, Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, pp. 338-41. 338 |
Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
Intertextuality and Influence | Catharine Macaulay | |
Intertextuality and Influence | Eudora Welty | This is one of her best-known volumes of stories, in part perhaps because of its involvement with gender issues, with such topics as early sexual development, rigidly demarcated gender roles, misogyny, sexual violence, defiance of... |
Intertextuality and Influence | Maria De Fleury | Her poem is Miltonic
in style, with frequent echoes of Paradise Lost, although written in couplets. Accepting a designation applied to her by ideological enemies, MDF
opens by comparing herself to the biblical Deborah... |
Intertextuality and Influence | Elizabeth Barrett Browning | The title piece, A Drama of Exile, is the most ambitious. It visualises the consequences of the biblical Fall from paradise, since, as EBB
writes in the preface (where she casts herself, too, as... |
Intertextuality and Influence | Elizabeth Helme | The title-page quotes Milton
's Paradise Lost on conscience as the guide within. Helme, Elizabeth. Clara and Emmeline. G. Kearsley. title-page |
Intertextuality and Influence | Ann Radcliffe | Influences on AR
's writings include the opera, contemporary travel writers, and Joseph Priestley
's Course of Lectures on Oratory and Criticism, 1777. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 67 |
Intertextuality and Influence | Maria De Fleury | |
Intertextuality and Influence | Ali Smith | The tribute to Helena Mennie Shire is twofold. The Poet imagines the childhood of twentieth-century Scottish poet Olive Fraser
, whose poetry Shire had collected in The Wrong Music and The Pure Account, and... |
Intertextuality and Influence | Henrietta Battier | This is the first example in print of HB
's satiric style: heroic couplets which gallop along with perfect control and slashing vituperation. It opens magnificently: Unknowing either, and to both unknown, / An individual... |
Intertextuality and Influence | Eliza Fletcher | EF
wrote her Dramatic Sketches, Elidure in three weeks and Edward in two, after reading Milton
's History of Britain, that Part especially now call'd England, 1670. Fletcher, Eliza. Autobiography of Mrs. Fletcher, of Edinburgh. Editor Mary, Lady Richardson, Printed at the offices of C. Thurman for private circulation. 122-3, 150 |
Intertextuality and Influence | Christian Gray | Milton
was clearly an inspiration to Gray because of his blindness: this shows a fair level of self-confidence in her. The author's name appears with the description blind from her infancy, which emphasises the charitable... |
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