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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Intertextuality and Influence | Anna Seward | In metre and general tone it remembers Milton
's L'Allegro. |
Intertextuality and Influence | Phyllis Bottome | The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army
, Navy
, and Air Force
, the Women's Auxiliary Services
, and the lives of ordinary... |
Intertextuality and Influence | Elizabeth Freke | Most striking of all is A Diologue between the Serpentt and Eve, which may have been written on the model of the speeches in Milton
's Paradise Lost, but does not refer to... |
Intertextuality and Influence | Ann Radcliffe | Influences on AR
's writings include the opera, contemporary travel writers, and Joseph Priestley
's Course of Lectures on Oratory and Criticism, 1777. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 67 |
Intertextuality and Influence | Catharine Macaulay | |
Intertextuality and Influence | Mary Lady Champion de Crespigny | MLCC
provides a sketch of Collingwood's naval career, with accounts of some of his major battles. As by degrees the storms arise, / 'Till hurricanes obscure the skies, / So his tremendous fire increas'd, /... |
Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
Intertextuality and Influence | Anna Seward | The sonnets are written in strict Milton
ic form. One of their favourite themes is love of nature and the countryside; one or two deal with Seward's love for Honora Sneyd
. In rendering Horace... |
Intertextuality and Influence | Henrietta Maria Bowdler | HMB
published, anonymously, a long poem entitled Creation, and Other Poems: To Which Are Added, the Bowers of Happiness, a Vision, and an Essay on Sacred Poetry, which she claimed to have written without... |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Anne Steele | Her non-religious poems show her a confident, versatile, accomplished writer. She casts a net of allusion widely—Milton
, Gray
, Edward Young
. She imitates Pope
on solitude, writes first of James Hervey
's... |
Intertextuality and Influence | Elizabeth Helme | The title-page quotes Milton
's Paradise Lost on conscience as the guide within. Helme, Elizabeth. Clara and Emmeline. G. Kearsley, 1788, 2 vols. title-page |
Intertextuality and Influence | Lucy Aikin | LA
's preface denies the absurd notion that absolute gender equality might be feasible and advises women not to attempt to become inferior men. But she asserts, there is not an endowment, or propensity, or... |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
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