qtd. in
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
153
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Lucas Malet | Thomas Hardy
told LM
after reading this novel that she was one of the few authors of the other sex who are not afraid of logical consequences. qtd. in “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 153 |
Literary responses | Matilda Betham-Edwards | The Athenæum review was lukewarm at best, since the reviewer found the character of Strickland almost intolerably irritating.It summed up the work as a fairly well-written book of the better modern fashion [in contrast with... |
Literary responses | Charlotte Yonge | During her lifetime CY
was ranked as a serious novelist with Austen
, Trollope
, Balzac
, and Zola
. Contemporaries like Louisa Alcott
, Margaret Oliphant
, Ellen Wood
, and Rhoda Broughton
made... |
Literary responses | Julia Frankau | JF
's Times obituary compared this novel favourably with Zola
's Le rêve. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. (18 March 1916): 11 |
Occupation | Gustave Flaubert | One of the great practioners of literary realism, he shifted the European novel significantly towards naturalism. His influence ranged far, from literary friends such as Émile Zola
to writers in English, including Mary Elizabeth Braddon |
Publishing | Julia Frankau | Henry Vizetelly
, a publisher associated with progressive thinking of various kinds—he went to prison for publishing translations of Zola
—promoted this novel by emphasis on its being a picture of Jewish life. qtd. in Lock, Stephen, and Julia Frankau. “Introduction”. Dr. Phillips, The Keynes Press, 1989, p. v - xii. vii |
Publishing | Margaret Harkness | Her publisher was the notorious firm of Henry Vizetelly
, who was to be jailed the year after this for publishing English translations of Zola
. Vizetelly
arranged for MH
's novel to be translated... |
Reception | Rhoda Broughton | An article by Eliza Lynn Linton
written in June 1887 (well after the ebbing of RB
's early, scandalous reputation) judged that her books were always essentially love-stories, and nothing else, Linton, Eliza Lynn. “Miss Broughton’s Novels”. Temple Bar, Vol. 80 , June 1887, pp. 196-09. 203 |
Textual Features | Mary Elizabeth Braddon | Wolff sees this novel as working out the Zola
theory of hereditary destiny. Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 308 |
Textual Features | Anita Brookner | Its subjects are Ingres
, Delacroix
and Antoine-Jean Gros
, Musset
, Baudelaire
, Edmond
and Jules Goncourt
, Zola
and Huysmans
. That is, AB
has returned to take a different view of the... |
Textual Production | Ethel M. Arnold | EA translated, from French to English, an edition of the Russian novelist Ivan Turgenev
’s letters to his friends in France, which included Gustave Flaubert
, Émile Zola
, Guy de Maupassant
, and the... |
Textual Production | Viola Meynell | VM
published Lot Barrow, a naturalistnovel in the tradition of George Moore
and Émile Zola
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 153 MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002. 100, 105 |
Textual Production | Matilda Betham-Edwards | |
Textual Production | Mary Elizabeth Braddon | MEB
's triple-decker The Golden Calf, 1883, is a naturalistic study of alcoholism, while Phantom Fortune another from the same year, features a decadent orphaned heiress named Lady Lesbia, and is based in part... |
Textual Production | Mary Elizabeth Braddon | Harvard
's Houghton Library
has a number of significant manuscripts by MEB
including notebooks as well as novels. The extensive collection of her printed titles and manuscripts owned by Robert Lee Wolff
of Harvard University |
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