Émile Zola

Standard Name: Zola, Émile
Used Form: Emile Zola

Connections

Connections Sort descending Author name Excerpt
Literary responses Lucas Malet
Thomas Hardy told LM after reading this novel that she was one of the few authors of the other sex who are not afraid of logical consequences.
qtd. in
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
153
He also said that the wages of...
Literary responses Matilda Betham-Edwards
The Athenæum review was lukewarm at best, since the reviewer found the character of Strickland almost intolerably irritating.It summed up the work as a fairly well-written book of the better modern fashion [in contrast with...
Literary responses Charlotte Yonge
During her lifetime CY was ranked as a serious novelist with Austen , Trollope , Balzac , and Zola . Contemporaries like Louisa Alcott , Margaret Oliphant , Ellen Wood , and Rhoda Broughton made...
Literary responses Julia Frankau
JF 's Times obituary compared this novel favourably with Zola 's Le rêve.
“The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive.
(18 March 1916): 11
Occupation Gustave Flaubert
One of the great practioners of literary realism, he shifted the European novel significantly towards naturalism. His influence ranged far, from literary friends such as Émile Zola to writers in English, including Mary Elizabeth Braddon
Publishing Julia Frankau
Henry Vizetelly , a publisher associated with progressive thinking of various kinds—he went to prison for publishing translations of Zola —promoted this novel by emphasis on its being a picture of Jewish life.
qtd. in
Lock, Stephen, and Julia Frankau. “Introduction”. Dr. Phillips, The Keynes Press, 1989, p. v - xii.
vii
Publishing Margaret Harkness
Her publisher was the notorious firm of Henry Vizetelly , who was to be jailed the year after this for publishing English translations of Zola . Vizetelly arranged for MH 's novel to be translated...
Reception Rhoda Broughton
An article by Eliza Lynn Linton written in June 1887 (well after the ebbing of RB 's early, scandalous reputation) judged that her books were always essentially love-stories, and nothing else,
Linton, Eliza Lynn. “Miss Broughton’s Novels”. Temple Bar, Vol.
80
, June 1887, pp. 196-09.
203
but that without...
Textual Features Mary Elizabeth Braddon
Wolff sees this novel as working out the Zola theory of hereditary destiny.
Wolff, Robert Lee. Sensational Victorian. Garland, 1979.
308
However, although Ishmael vows to avenge his wrongs, when he discovers Pâquerette and Valnois separately years after their elopement he forgoes...
Textual Features Anita Brookner
Its subjects are Ingres , Delacroix and Antoine-Jean Gros , Musset , Baudelaire , Edmond and Jules Goncourt , Zola and Huysmans . That is, AB has returned to take a different view of the...
Textual Production Ethel M. Arnold
EA translated, from French to English, an edition of the Russian novelist Ivan Turgenev ’s letters to his friends in France, which included Gustave Flaubert , Émile Zola , Guy de Maupassant , and the...
Textual Production Viola Meynell
VM published Lot Barrow, a naturalistnovel in the tradition of George Moore and Émile Zola .
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
153
MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002.
100, 105
Textual Production Matilda Betham-Edwards
Helen Black questioned her closely about her preferences in literature, and learned that Betham-Edwards endeavour[ed] to appreciate all the living novelists, but found the school of Tolstoy , Ibsen , and Zolarepulsive in the...
Textual Production Mary Elizabeth Braddon
MEB 's triple-decker The Golden Calf, 1883, is a naturalistic study of alcoholism, while Phantom Fortune another from the same year, features a decadent orphaned heiress named Lady Lesbia, and is based in part...
Textual Production Mary Elizabeth Braddon
Harvard 's Houghton Library has a number of significant manuscripts by MEB including notebooks as well as novels. The extensive collection of her printed titles and manuscripts owned by Robert Lee Wolff of Harvard University

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