Commentary and analysis on her death does not abate. Maureen E. Mulvihill
argues in a recent essay that Woolf 's suicide had a larger logic as response to a combination of external factors, apart from...
Leisure and Society
St Hilda's College
, Oxford, holds a portrait by Mary Beale
, the most successful woman artist of her day, which has been thought to represent Behn. Scholar Maureen E. Mulvihill
discussed (with illustrations)...
Douglas Grant published a life in 1957: Margaret the First: A Biography of Margaret Cavendish, Duchess of Newcastle, 1623-1673. Late in the twentieth century, interest in her and her work escalated steeply. The first...
She was by all accounts an outstanding courtier, admired not only for her beauty but also for her style and wit (Freda Hast
in the Oxford Dictionary of National Biography quotes the word for...
The Restoration user of the name Ephelia
was a remarkably assured, forceful, and accomplished poet (as well as a playwright), although she left, outside her single printed collection (1679), only four poems extant: political broadsheets...
A copy of the privately printed edition, beautifully inscribed to John Richardson at London on 24 July 1805, is now British Library
C. 95 b. 38. A copy once owned by Lytton Strachey
's portrait by Romney
was reproduced as frontispiece.
Weller, Earle Vonard, and Mary Tighe. “Introduction / Memoir of Mary Tighe”. Keats and Mary Tighe, Kraus Reprint Corporation, 1966, p. vii - xxi.
The book was handsomely produced, having a decorated dedication page, and a frontispiece featuring an oval portrait (or fictitious portrait) of Ephelia, with a heraldic badge above the picture and a pedestal bearing her engraved...
wrote of this novel, I can no more forget it, than a mother can forget her sucking child.
Honan, Park. Jane Austen: Her Life. Weidenfeld and Nicolson, 1987.
She published it as a Lady: the only one issued this way, since later...
In the late nineteenth century H. B. Wheatley
suggested in Samuel Halkett
and John Laing
's A Dictionary of the Anonymous and Pseudonymous Literature of Great Britain that Ephelia was somebody called Joan Phillips. This...
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Mulvihill, Maureen E. “’Butterfly’ of the Restoration Court: A Preview of Lady Mary Villiers, the New ’Ephelia’ Candidate”. ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, Vol.
, No. 4, pp. 25-39.
Mulvihill, Maureen E. “A Feminist Link in the Old Boys’ Network: The Cosseting of Katherine Philips”. Curtain Calls, edited by Mary Anne Schofield and Cecilia Macheski, Ohio University Press, 1991, pp. 71-104.
Mulvihill, Maureen E. “An Irish Poetess Flirts with Eros: Laurels for Mary Tighe”. Irish Literary Supplement, pp. 19-20.
Mulvihill, Maureen E. “Bedazzled by Burney: Sales of Frances Burney Books, Manuscripts & Images from the Paula Peyraud Collection (Chappaqua, New York). Bloomsbury Auctions, New York (May 2009)”. Burney Letter, pp. 9-12.
Mulvihill, Maureen E. “Biddy Jenkinson (1949—)”. Irish Women Writers: An A-to-Z Guide, edited by Alexander G. Gonzalez, Greenwood Press, 2006, pp. 154-7.
Mulvihill, Maureen E. “Captured by Jane. A Woman’s Wit: Jane Austen’s Life & Legacy. A Multimedia Exhibition Review: text, image, sound”. Jane Austen’s Work. In Praise of Jane.
Mulvihill, Maureen E. “Dancing On Hot Bricks: Virginia Woolf in 1941”. Rapportage magazine, Vol.
, pp. 52-64.
Mulvihill, Maureen E. Email to Isobel Grundy about Ephelia.
Mulvihill, Maureen E. Emails about Ephelia to Isobel Grundy.
Mulvihill, Maureen E. Emails to Isobel Grundy about bookplate in Mary Tighe’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl="m">Psyche</span>.
Ephelia,. Ephelia. Editor Mulvihill, Maureen E., Ashgate, 2003.
Mulvihill, Maureen E. “Ephelia, Epilogue, <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Pair-Royal of Coxcombs, Performed at a Dancing-School</span> (1679)”. Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700, edited by Helen Ostovich, Elizabeth Sauer, and Melissa Smith, Routledge, 2004, pp. 446-8.
Mulvihill, Maureen E. “Literary Property Changing Hands: The Peyraud Auction (New York City, 6 May 2009)”. Eighteenth-Century Studies, Vol.
, No. 1, pp. 151-63.
Mulvihill, Maureen E. “Mary Beale’s Portrait of Aphra Behn (c 1682)”. Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700, edited by Helen Ostovich, Elizabeth Sauer, and Melissa Smith, Routledge, 2004, pp. 491-3.
Mulvihill, Maureen E. “Mary Leadbeater”. Dictionary of Irish Biography, edited by James McGuire and James Quinn.
Mulvihill, Maureen E. “Mary Shackleton Leadbeater”. Irish Women Poets of the Romantic Period. Alexander Street Press, edited by Stephen C. Behrendt and George Holmes.
Mulvihill, Maureen E. “Mary Tighe”. Irish Women Writers: An A-to-Z Guide, edited by Alexander G. Gonzalez, Greenwood Press, 2006, pp. 208-13.
Mulvihill, Maureen E. “Old Books / New Editions. Part I”. Rare Book Hub.
Ephelia,. Poems by Ephelia (c. 1679). Editor Mulvihill, Maureen E., Scholars’ Facsimiles and Reprints, 1992.
Mulvihill, Maureen E. “Sly Stuart Duchess: The Many Masks of Mary Villiers (’Ephelia’)”. The Female Spectator (1995-), pp. 1-5.
Mulvihill, Maureen E. “The <span data-tei-ns-tag="">Eureka!</span> Piece in the ’Ephelia’ Puzzle: Book Ornaments in Attribution Research and a New Location for Rahir Fleuron 203 (<span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Elzevier</span>, 1896)”. ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, Vol.
, No. 3, pp. 23-34.
Mulvihill, Maureen E. “The New Candidate for Pseudonymous ’Ephelia’: Mary (Stuart née Villiers), Duchess of Richmond and Lennox (1622-1685)”. Women’s Writing, Vol.