Wolff, Robert Lee. Sensational Victorian. Garland.
243
Connections Sort ascending | Author name | Excerpt |
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Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland. 243 |
Intertextuality and Influence | Mary Elizabeth Braddon | Set on the coast of Devon fifty years earlier, it traces the fates of two strong characters: Methodist preacher and shopkeeper Joshua Haggard and his daughter Naomi. In the opening scene, Joshua rescues Oswald Pentreath... |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Anna Brownell Jameson | The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists... |
Intertextuality and Influence | Anita Brookner | It carries an epigraph from Goethe
's Sorrows of Young Werther about the advantages and disadvantages of middle-class society and its codes of conduct. The number of central characters here is higher than in AB |
Intertextuality and Influence | Elizabeth Jolley | |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Hannah More | More takes a sceptical view of sensibility: she reproves both the representation of it in Goethe
's Werther (which had been available in English for about three years) and the sentimental enthusiasm which the book... |
Intertextuality and Influence | May Laffan | Set largely in Laffan's home town of Dublin, Hogan, M.P. captures an Ireland whose growing Catholic middle class is challenging the long empowered Protestant ascendancy. The action takes place three or four years before... |
Intertextuality and Influence | Louisa May Alcott | LMA
's Johann Wolfgang von GoetheFaustian novel A Modern Mephistopheles was published in 1877. Its title had originally belonged to her sensation novel, A Long and Fatal Love Chase, which was posthumously published in 1995. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 239 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Elizabeth von Arnim | Inspired by the spirited correspondence between Goethe
and Bettina von Arnim
, EA
(as the author of Elizabeth and her German Garden) published Fräulein Schmidt and Mr. Anstruther. Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press. 1: 136 Usborne, Karen. "Elizabeth": The Author of Elizabeth and Her German Garden. Bodley Head. 117 |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Charlotte Smith | |
Intertextuality and Influence | Charlotte Smith | Syndy Conger has noted that this novel reveals a shift in Smith's attitude to sensibility in the four years since her sonnets: where she was enthusiastic she is now sceptical, even satirical, in her stance... |
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