Muir, Willa. Belonging. Hogarth Press.
152
Connections Sort ascending | Author name | Excerpt |
---|---|---|
politics | Willa Muir | WM
and her husband
hosted a Writers' Circle in their flat in Prague. The members of the Circle were young Czech writers, and discussions were often as much about Czech politics as about work-in-progress... |
politics | Willa Muir | |
Occupation | Frances Horovitz | Patrick Magee
, Harvey Hall
, Stevie Smith
, Hugh Dickson
, and Basil Jones
were the other readers for the project. The poets from whose work they read included W. B. Yeats
, D. H. Lawrence |
Literary responses | Henry Handel Richardson | The Times Literary Supplement provided another favourable review, basing its approbation on the persuasive character-drawing of the supposedly male author. Child, Harold H. “Ultima Thule”. Times Literary Supplement, No. 1407, p. 42. 42 |
Literary responses | Virginia Woolf | |
Literary responses | Storm Jameson | SJ
tended to disparage this series; she called Love in Winter unworked: the materials for a novel rather than a novel. Birkett, Jennifer. Margaret Storm Jameson: A Life. Oxford University Press. 140 |
Literary responses | Rosamond Lehmann | Reviewers were pleased to see more fiction from Lehmann after nine years, and the book was popular, although not hugely applauded. Those praising it included Edwin Muir
. There was much debate over the real-life... |
Literary responses | Willa Muir | Perhaps because WM
's writing career ran alongside that of her more famous husband
, and because she published in collaboration with him, her own work has been subordinated to his and for a time... |
Literary responses | Margiad Evans | Edwin Muir
had called Thomas Griffiths and Parson Cope at its first appearance a little masterpiece of wit, poetry and fantasy. Evans, Margiad. The Old and the Young. Seren. 194 |
Intertextuality and Influence | Willa Muir | After attending the theatre regularly in Prague in 1921-2, WM
began planning a play on a biblical theme, to dramatize in modern terms the situation in which Noah and his family found themselves once the... |
Intertextuality and Influence | Elizabeth Jennings | As a teenager, EJ
read T. S. Eliot
and (as she put it) wrote long poems of sort of vers libre which I imagined were influenced by Eliot, and which were very personal, in fact... |
Intertextuality and Influence | Sally Purcell | |
Intertextuality and Influence | Phyllis Bentley | Her epigraph comes from The Ugly Duchess by the German writer Lion Feuchtwanger
: Sleep in Peace, father! I will be different from you.The Ugly Duchess: a historical romance, set in the fourteenth-century... |
Intertextuality and Influence | Caroline Blackwood | The novel is epistolary; its protagonist is called only K.—with perhaps some memory of the organizational victim-protagonist Josef K. in Franz Kafka
's The Trial (first translated into English by Willa
and Edwin Muir |
Intertextuality and Influence | Kathleen Raine |
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