Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Elizabeth Barrett Browning | Pronouncements about gender, which permeated the Victorian reception of poetry (or of poetry by women) are particularly inescapable in the reception of Aurora Leigh, which directly satirised the criticism of women writers and other... |
Literary responses | Robert Browning | Critical response was very positive. Gerald Massey
in the Athenæum proclaimed Browning a great dramatic poet and felt that Shakespeare
would have approved. Walter Bagehot
characterized his style as grotesque, a judgement which has stuck. qtd. in Irvine, William, and Park Honan. The Book, the Ring, and the Poet: A Biography of Robert Browning. McGraw-Hill, 1974. 397 |
Intertextuality and Influence | Bryher | |
Education | Pearl S. Buck | |
Intertextuality and Influence | Anne Burke | A quotation from Shakespeare
's The Tempest intruces an opening scene of storm and shipwreck on a lonely western coast. The only survivor, a six-month-old baby girl in a cradle, is rescued with a gold... |
Textual Production | Sarah Harriet Burney | While struggling to finish this work, SHB
called it my own eternal rubbish Burney, Sarah Harriet. The Letters of Sarah Harriet Burney. Editor Clark, Lorna J., University of Georgia Press, 1997. 130 Burney, Sarah Harriet. The Letters of Sarah Harriet Burney. Editor Clark, Lorna J., University of Georgia Press, 1997. 153 |
Intertextuality and Influence | Sarah Harriet Burney | The Shipwreck presents (with memories of William ShakespeareThe Tempest as well as Daniel DefoeRobinson Crusoe) Sabor, Peter. “Part of an Englishwoman’s Constitution: Sarah Harriet Burney and Shakespeare”. Canadian Society for Eighteenth-Century Studies conference, 12 Oct. 2018. |
Intertextuality and Influence | Sarah Harriet Burney | These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She... |
Textual Production | Dorothy Bussy | The volume contains 267 of the more than one thousand extant letters between Bussy and Gide, translated from French into English. The first volume of their Correspondance had been published in Paris in 1980. In... |
Literary responses | Mary Butts | The novel's success was slightly diminished by comparisons drawn between it and Jack Lindsay
's Last Days With Cleopatra, which appeared just a few weeks before it. Blondel, Nathalie. Mary Butts: Scenes from the Life. McPherson & Company, 1998. 380 |
Textual Features | Mary Butts | Early in the memoir, she discusses her family's relationship with William Blake
and the influence of his art on her life. She claims that just one of his artistic works possessed her, and its hold... |
Textual Production | Medora Gordon Byron | It was in four volumes, from the Minerva Press
, with a quotation from Francis Bacon
on the title-page, and further chapter-headings from Shakespeare
, Swift
, Prior
, Thomson
, Goldsmith
, Edward Young |
Publishing | Maria Callcott | MC
contributed a six-page letter to a book entitled The Seven Ages of Shakspeare, which illustrates with engravings the famous seven ages passage of As You Like It. Callcott, Maria, and William Shakespeare. “Introduction”. The Seven Ages of Shakspeare, edited by J. Martin and J. Martin, J. Van Voorst, 1840. title-page |
Textual Production | Lady Colin Campbell | The title draws on Shakespeare
's exiled duke in As You Like It, who says retirement in the forest will supply books in the running brooks. (II. i, 17) The collection deals partly with... |
Intertextuality and Influence | Dorothea Primrose Campbell |
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