Swan, Annie S. My Life. Ivor Nicholson and Watson.
14
Connections | Author name Sort descending | Excerpt |
---|---|---|
Education | Annie S. Swan | ASS
says her first conscious memory was of telling a quite deliberate lie at the age of five, and basely tempt[ing] two infant brothers to share my crime. Swan, Annie S. My Life. Ivor Nicholson and Watson. 14 |
Friends, Associates | Anna Swanwick | Other friends mentioned by her niece and biographer were Fredrika Bremer
, Anna Brownell Jameson
, Frances Power Cobbe
, Thomas Carlyle
, George MacDonald
, Lady Eastlake
, Elizabeth Rundle Charles
, Lady Martin |
Theme or Topic Treated in Text | Anna Swanwick | AS
declares at the outset her belief in the progressive development of the human race, and in the contribution that poetry makes to pushing on that development as well as to witnessing and recording it... |
Occupation | Algernon Charles Swinburne | Poems and Ballads appeared in 1866. This highly controversial collection, following closely on the heels of two successful plays, firmly established his literary reputation. He published an illustrated book of literary criticism, William Blake
... |
Education | Tabitha Tenney | |
Intertextuality and Influence | Josephine Tey | Although Shakespeare
's Richard III clearly plays a major role in shaping the myth of Richard's villainy against which Tey writes, she alludes to this play only in passing, when a character comments on Laurence Olivier |
Literary responses | Josephine Tey | The play garnered high praise from contemporary theatre critics, and was immensely popular with audiences, some of whom reputedly went to see it thirty or forty times. Gielgud, Sir John. Early Stages. Falcon. 178 |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Publishing | Angela Thirkell | In 1930, once she was back in England, she found she could earn her living by journalism for Punch and the Fortnightly Review. She was attuned to writing by women from an early stage... |
Intertextuality and Influence | Elizabeth Thomas | |
Intertextuality and Influence | Elizabeth Thomas | In his absence Camilla recovers, and three years later marries another rake, Sir Lusignan Dellbury; when his former adoration is cooled by marriage, she turns to her children for emotional satisfaction. He insists on her... |
Intertextuality and Influence | Flora Thompson | She opened with remarkable clarity, confidence, and accuracy for an entirely self-taught critic: Before Jane Austen began to write, the novelists of her day had depended on involved plot, sensational incident, and the long arm... |
Reception | Flora Thompson | In further Ladies Companion competitions the same year, FT
went on to win joint second prize for her essay on Emily Brontë
(which, again, the magazine printed) and another first prize for her essay on... |
Material Conditions of Writing | Flora Thompson | FT
had grown up reading poetry and wishing to be a poet. For years this was the direction of her deepest literary aspirations, in which Ronald Campbell MacFie
helped and encouraged her. Stressful periods in... |
Intertextuality and Influence | Flora Thompson | From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege... |
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