Payne, George A. "Edna Lyall:" an Appreciation. John Heywood.
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Connections Sort ascending | Author name | Excerpt |
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Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Ogilvy Benger | Benger wrote an impromptu poem in the presence of one W. J. S., A Lament: on the Paucity of Information Respecting the Life and Character of Shakespeare—a fitting subject for a biographer. Notes and Queries. Oxford University Press. 2nd ser. (1861) xi: 384 |
Textual Production | Pamela Frankau | PF
published The Willow Cabin, whose title echoes the words of Shakespeare
's Viola in Twelfth Night, telling Orsino (who thinks her a boy) what she would do were she in love. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | E. Nesbit | This by no means exhausts the list of EN
's writings for children. The first number of The Enchanted Castle (which is less episodic, perhaps less brilliant, and more socially critical than the Phoenix or... |
Textual Production | Laura Riding | LR
published A Trojan Ending, her novel about Cressida, the Greek heroine of Chaucer
, Robert Henryson
, and Shakespeare
. Friedmann, Elizabeth. A Mannered Grace. Persea Books. 296 Wexler, Joyce Piell. Laura Riding: A Bibliography. Garland. 60 |
Textual Production | Elizabeth Montagu | |
Textual Production | Gertrude Stein | Carl Van Vechten
edited and selected the texts to provide a sample of the various styles and periods of GS
's writings. He puts her in the same category as Joyce
, Eliot
, and... |
Textual Production | Hannah Lynch | The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray
in his various... |
Textual Production | Ngaio Marsh | NM
's final detective novel was posthumously published. The title, Light Thickens, is quoted from a foreboding speech in Shakespeare
's Macbeth and the plot revolves around a production of that play, which is... |
Textual Production | Gladys Henrietta Schütze | GHS
worked with her husband
on a translation of Ferdinand Bruckner
's Rassen, which she describes as a Jewish William ShakespeareRomeo and Juliet. They found the work a rush (it had to be ready... |
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | Marghanita Laski | |
Textual Production | Theodora Benson | TB
published her first novel, Salad Days, with a dedication to her friend and future collaborator Betty Askwith
. The title-page quotes Shakespeare
's Cleopatra. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Ella D'Arcy | John Lane
of the Bodley Head
published Modern Instances, his second of two volumes of stories by EDA
. The title, from Jacques' Seven Ages of Man speech in William ShakespeareAs You Like It... |
Textual Production | Pamela Frankau | She wrote it at the age of seventeen, on suburban trains while commuting between her Windsor home and her office job in London. She thought her heroine resembled Shakespeare
's famously irresolute hero, and... |
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