Sackville-West, Vita. The Land. Heinemann.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sally Purcell | SP
's masterful use of early writers and mythical belief-systems is exemplified in Seven Horizon Poems. Each of the poems snatches a separate grain of meaning, pressing into service to do so a wide... |
Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
Intertextuality and Influence | Margaret Drabble | The protagonist of The Seven Sisters, published in 2002, is a woman in her fifties whose husband and grown children have all abandoned her. Her own somewhat grumpy impressions of her newly single life... |
Intertextuality and Influence | Vita Sackville-West | The Land irresistibly recalls Virgil
's Georgics, the poem which gave its name to the genre of which it remains the best-known example; indeed, for some time VSW
intended to call her poem Georgics... |
Intertextuality and Influence | Jane West | JW
's preface invokes Shakespeare
, Virgil
, Homer
, and Sir Walter Scott
(she later adds Thomas Percy
) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry |
Intertextuality and Influence | Vita Sackville-West | Virgil
, once thought of, became the poem's tutelary deity. He supplies an epigraph. VSW
opens in the epic manner—I sing the cycle of my country's year, / I sing the tillage Sackville-West, Vita. The Land. Heinemann. 1 |
Intertextuality and Influence | Ursula K. Le Guin | The first part of the novel relates, with a somewhat different focus, the tale told by Virgil
(in which Lavinia is a non-speaking character); the second reaches beyond that stage of the story. |
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Elizabeth B. Lester | The title-page quotes from Sir Francis Bacon
, Virgil
, and Sir Roger L'Estrange
. A preface (written in the third person as he) argues that physiognomy has something in it but deplores the... |
Intertextuality and Influence | Mary Scott | The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil
only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd .... |
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) McEvoy, Anne. Conversation about Eavan Boland with Isobel Grundy. Boland, Eavan. Outside History. Norton. 78-9 |
Intertextuality and Influence | Susanna Haswell Rowson | The title-page quotes Samuel Johnson
asserting that an author has nothing but his own merits to stand or fall on. The Birth of Genius, an irregular ode, offers advice to my son to love... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green . prelims |
Intertextuality and Influence | Anne Grant |
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