Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.George Bernard Shaw
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Standard Name: Shaw, George Bernard
Used Form: G. B. Shaw
GBS was a drama critic who called for reform of theatrical practice, and a dramatist who attached to his plays on publication, lengthy prefaces expounding the social and dramatic issues opened by the play itself. He won the Nobel Prize in Literature in 1925. The Oxford Dictionary of National Biography calls him a polemicist, and says that much of the drama of his time and after was indirectly in his debt for his creation of a drama of moral passion and of intellectual conflict and debate.
Connections
Connections Sort descending | Author name | Excerpt |
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Literary responses | Sylvia Pankhurst | Save the Mothers was well reviewed. George Bernard Shaw responded enthusiastically to the book, and Emmeline Pethick-Lawrence expressed her pleasure at its positive reception. Vera Brittain also praised it, favourably comparing SP's activism for... |
Literary responses | George Egerton | Both lauded and lambasted, GE was a sexually radical writer who challenged English reserve and literary reticence through the directness of her treatment of female desire. Ledger, Sally. The New Woman. Manchester University Press, 1997. 188 |
Literary responses | Annie Besant | George Bernard Shaw discovered AB's turn to Theosophy when he found proofs for this publication on her desk; his reaction was intense and negative. Dinnage, Rosemary. Annie Besant. Penguin, 1986. 80 |
Literary responses | Helen Waddell | Two Dublin actors, HW's brother Sam and Lennox Robinson, praised the play for the opportunities it offered to performers, and Waddell was very excited when George Bernard Shaw read and liked it. Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable, 1973. 90-2 |
Literary responses | Lady Colin Campbell | Widely read and highly praised, LCC was described as among the best art critics of her time, doing for the visual arts what her colleague George Bernard Shaw was doing for music. Fleming, G. H. Lady Colin Campbell: Victorian ’Sex Goddess’. The Windrush Press, 1989. 243 |
Literary responses | Edith Somerville | He, however, comprehensively condemned it. Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber, 1968. 208 Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber, 1968. 255-6 |
Material Conditions of Writing | Florence Farr | |
names | G. B. Stern |
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Occupation | Constance Smedley | In her capacity as European representative for the American Everybody's Magazine (edited by John O'Hara Cosgrave), CS set out to woo various authors including Kenneth Grahame. She writes that she was successful in... |
Occupation | Anton Pavlovich Chekhov | His work had great impact in England, where he was praised by George Bernard Shaw, Katherine Mansfield, Virginia Woolf, and E. M. Forster. Constance Garnett translated many of his works... |
Occupation | Augusta Gregory | Horniman, an English heiress, disapproved of the Abbey's involvement in politics, and tensions emerged with some of its key members. AG eventually bought out Horniman's Abbey shares. Murphy, James H. “Broken Glass and Batoned Crowds: Cathleen Ni Houlihan and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan ODay, Routledge, 2004, pp. 113-27. 123 |
Occupation | Catharine Amy Dawson Scott | She served as the club's organizer and hostess. She intended it as a space where fledgling writers could gather and make contact with established authors. Her friend J. D. Beresford, novelist, was the club's... |
Occupation | Edith Craig | After the Pioneer Players folded, EC became actively involved in the Little Theatre movement which was rapidly growing outside London. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell, 1998. 133-4 |
Occupation | Florence Farr | Annie Horniman, whom FF met through the Order of the Golden Dawn, agreed to back the season financially. Farr succeeded in persuading Yeats to write a one-act play for her season, and enlisted... |
Occupation | Inez Bensusan | Organisers chose to present two feminist plays by men, Woman on Her Own by Eugène Brieux, translated by Charlotte Shaw (Bernard Shaw's wife), and A Gauntlet by Bjørnstjerne Bjørnson. Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, Vol. 15 , June 1995, pp. 123-37. 125-6 |
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