Lee, Hermione. “Like Buttons in a Box”. Guardian Unlimited.
Hermione Lee
Standard Name: Lee, Hermione
Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Susan Hill | Critic Hermione Lee
, reviewing the collection for the Guardian, praised SH
's tender attention to detail, and likened her to L. P. Hartley
and Elizabeth Bowen
. |
Anthologization | Mary Lavin | Sixty-four of ML
's short stories were published in magazines before most of them were collected in volumes. She was a frequent contributor to Atlantic Monthly, the Dublin Magazine, Harper's Bazaar, and... |
Literary responses | Doris Lessing | The following year she won the David Cohen British Literature Prize, which The Author called the best and most worthy of all literary prizes, Parker, Derek. “On the Side”. The Author, Vol. cxii , No. 2, pp. 86-8. 87 |
Textual Features | Flora Macdonald Mayor | While spinsters are again perceived as lonely, self-pitying, garrulous, defensive TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4223 (9 March 1984): 238 |
Literary responses | Julia O'Faolain | This novel was short-listed for the Booker Prize. Hermione Lee
praised it in the Observer for presenting the inter-relationship between family and national history, while Robert Nye
in the Guardian called it one of the... |
Publishing | Stevie Smith | Two years later Hermione Lee
edited Stevie Smith: a Selection, and in 2015 Will May edited Smith's Collected Poems and Drawings. |
Textual Production | Julia Strachey | JS
wrote the novel while staying with her aunt Dorothy Bussy
's family at Roquebrune in France, informally separated from her first husband, Stephen Tomlin
. Strachey, Julia, and Frances Partridge. Julia: A Portrait of Julia Strachey. Little, Brown. 113, 116 |
Reception | Edith Wharton | EW
's literary career was achieved in face of the indifference or disapproval of her relations, who felt that to publish was to lose caste. In 1923 EW
was awarded an Honorary DLitt by Yale University |
Textual Features | Virginia Woolf | Hermione Lee
reads the story as an imagined meeting between the Stephen sisters of Bloomsbury and their alternative selves (as they would have been if their lives had remained in the track mapped out for... |
Textual Features | Virginia Woolf | She classed Sickert as a literary painter, even while admitting that words could not touch or grasp the core of his paintings. Hermione Lee
sees Sickert
's paintings of squalid London interiors as a major... |
Textual Production | Virginia Woolf | Hermione Lee
points out that in this year—a typical one, though broken by illness—Woolf's productivity included making final pre-publication revisions to a novel and an essay collection, beginning work on another novel, writing eight... |
Textual Production | Virginia Woolf | Later reprints often appeared as The Common Reader, First Series. VW
took her title from a formulation of Samuel Johnson
's, meaning that non-specialist, non-academic reader to whose taste, said Johnson, he was always... |
Textual Features | Virginia Woolf | Hermione Lee
calls this VW
's novel of friendships, her Bloomsbury novel, Lee, Hermione. Virginia Woolf. Chatto and Windus. 269 |
Textual Features | Virginia Woolf | Freshwater was the name of Julia Margaret Cameron
's estate on the Isle of Wight, where Anne Thackeray Ritchie
had a cottage. The Stephen children had stayed there. Lee, Hermione. Virginia Woolf. Chatto and Windus. 75-6 |
Performance of text | Virginia Woolf | VW
worked long and hard on the lengthy novel which finally became The Years. Its genesis goes back to her speech of 21 January 1931 at the London and National Society for Women's Service |
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