Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research.
240: 333
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Catherine Hubback | H.F. Chorley
acidly commented in a comic review of the novel for the Athenæum: We are not pious enough to relish the tone of argument,—we are not irreligious enough to find the strained tones... |
Literary responses | Rosina Bulwer Lytton, Baroness Lytton | In his review in the Athenæum, Henry Fothergill Chorley
admitted that the novel wasnot wholly devoid of attraction and that it contained a tolerably lively picture of the court of Louis Quatorze
... |
Literary responses | Grace Aguilar | The Athenæum's H. F. Chorley
lamented that the publication of GA
's early productions was exposing to view the eager, romantic, generous girl making experiments on subjects of different classes and periods,—writing in search... |
Literary responses | Georgiana Fullerton | Henry Fothergill Chorley
, reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen
's Emma; he also drew parallels with Frances Burney
's Cecilia... |
Literary responses | Augusta Webster | This first poetic attempt was well received. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research. 240: 333 |
Literary responses | Anna Brownell Jameson | A Commonplace Book was reviewed by the Literary Gazette, the Athenæum (by Henry Fothergill Chorley
), The Spectator and Gentleman's Magazine. Johnston, Judith. Anna Jameson: Victorian, Feminist, Woman of Letters. Scolar Press. 47 Jameson, Anna Brownell. Anna Jameson: Letters and Friendships (1812-1860). Editor Erskine, Beatrice Caroline, T. Fisher Unwin. 295 |
Literary responses | Georgiana Fullerton | In Rose LeblancHenry Fothergill Chorley
judged that GF
's power, which was considerable in the early days of her authorship, appears to have been calmed down, and gently washed out of her. He found... |
Literary responses | Jane Williams | Henry Fothergill Chorley
was dismissive of these volumes in reviewing for the Athenæum. He commented that Price's labours and studies might have been valuable had he devoted them to any wider field of tillage... |
Literary responses | Geraldine Jewsbury | The London Literary Gazette reported that the novel displayed considerable intellectual powers, a shrewd observance of character, and a general talent . . . . wanting only some polish to its roughness to raise it... |
Literary responses | Anne Manning | This book brought AM
great success, and she continued throughout her career to identify herself as its author. Henry Fothergill Chorley
, reviewing it for the Athenæum two years after publication, said mutedly that it... |
Literary responses | Emma Jane Worboise | This was reviewed for the Athenæum by Henry Fothergill Chorley
. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. |
Literary responses | Anne Marsh | The Athenæum, which had reported favourably after its peep at the first instalment of Mount Sorel, Athenæum. J. Lection. 897 (1845):14 |
Literary responses | Anne Brontë | Like the first, this second reviewer (probably H. F. Chorley
) found Agnes Grey both less objectionable and less powerful than Wuthering Heights. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 217-9 |
Literary responses | Adelaide Procter | The Spectator greeted this collection effusively as without question the most promising of any first appearance in this century, except that of Keats
, and the Saturday Review asserted, presumably with reference to Elizabeth Barrett Browning |
Literary responses | Elizabeth Gaskell | The Athenæum's Henry Fothergill Chorley
said that we have met with few pictures of life among the working classes at once so forcible and so fair as Mary Barton. Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge. 62 |
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