Todd, Janet. The Secret Life of Aphra Behn. Rutgers University Press.
260-1
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Aphra Behn | AB
marked Rochester
's early death with an elegy warmly praising his poetry and his charisma. Todd, Janet. The Secret Life of Aphra Behn. Rutgers University Press. 260-1 |
Friends, Associates | Aphra Behn | AB
was intimate with the writers' and artists' circles of her day. She befriended Thomas Otway
, and allowed him to act in her first play, when he was an insecure youth of nineteen. She... |
Textual Production | Aphra Behn | AB
's poems were mostly opportunistic in some way, seizing the chances offered her, either by projects of literary colleagues or by royal or other grand occasions, to make some money. She makes much use... |
Textual Features | Aphra Behn | The poem belongs to a contemporary sub-genre describing masculine sexual failure, but such poems are generally written (like the well-known one by Rochester
) from a male viewpoint. It is fast-moving and funny. It lusciously... |
Fictionalization | Aphra Behn | AB
has been repeatedly fictionalised in recent years. Ross Laidlaw
published in 1992 a fiction, Aphra Behn—Dispatch'd from Athole, which added a coda to her life. In his story Gilbert Burnet
enlists her to... |
Friends, Associates | John Dryden | Of these female disciples, Mary, Lady Chudleigh
, and the younger Elizabeth Thomas
enjoyed personal friendships with JD
. But his career was conspicuous for professional enmities as well as friendships. His feud with Thomas Shadwell |
Friends, Associates | Ephelia | If Ephelia's poems of compliment are taken to imply personal friendship, she may have been a friend of Aphra Behn
, whom she praises warmly and with polite humility about her own abilities in her... |
Textual Production | Ephelia | The book was handsomely produced, having a decorated dedication page, and a frontispiece featuring an oval portrait (or fictitious portrait) of Ephelia, with a heraldic badge above the picture and a pedestal bearing her engraved... |
Textual Features | Ephelia | Not all the poems in the volume are written in Ephelia's voice (which adds an extra dimension to argument over the ascription of those written in other voices). It seems that Ephelia enjoyed ventriloquizing the... |
Family and Intimate relationships | Violet Fane | She came from a line of distinguished literary amateurs, Fane, Violet. “Introduction”. Poems, John C. Nimmo, p. v - viii. vi Fredeman, William E., and Ira Bruce Nadel, editors. Dictionary of Literary Biography 35. Gale Research. 35: 76 |
Textual Features | Sarah Green | It opens in France and England during what was in England the interregnum period, and moves onwards into the reign of Charles II
. The heroine writes her story retrospectively in a letter to a... |
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Production | Germaine Greer | GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an... |
Friends, Associates | Lucy Hutchinson | LH
, with the poet Lord Rochester
and his mother Anne, Countess of Rochester
(her cousin), visited her patron Lord Anglesey
. Greer, Germaine. “Horror like Thunder”. London Review of Books, pp. 22-4. 23 Hutchinson, Lucy. “Introduction, Chronology”. Order and Disorder, edited by David Norbrook, Blackwell, p. i - lviii. xviii |
Textual Features | Lucy Hutchinson | Lucretius
, as a pagan philosopher and theologian (and, as LH
and her contemporaries believed, insane much of the time and sexually promiscuous), was a daring choice for one of her religious opinions. Lucretius, and Lucretius. “Introduction”. Lucy Hutchinson’s Translation of Lucretius, "De rerum natura", edited by Hugh De Quehen, translated by. Lucy Hutchinson, University of Michigan Press, pp. 1-20. 8, 11 |