Greene, Richard. Mary Leapor: A Study in Eighteenth-Century Women’s Poetry. Clarendon Press.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Sarah Fielding | The work was dedicated to Lady Pomfret
. Its 440 subscribers included many prominent people, reflecting the bluestockings' range of influence as well as SF
's local and family connections: Ralph Allen
, Lord Chesterfield |
Publishing | Mary Leapor | A second volume of ML
's Poems upon Several Occasions was printed by Richardson
, with a new subscription list. Greene, Richard. Mary Leapor: A Study in Eighteenth-Century Women’s Poetry. Clarendon Press. 27 |
Reception | Susanna Haswell Rowson | She was one of the twenty-four most-reviewed women writers of 1789-90. Hawkins, Ann R., and Stephanie Eckroth, editors. Romantic Women Writers Reviewed. Vol. 3 vols., Ashgate Publishing Company. |
Reception | Joanna Baillie | Charles Landseer
(brother of Sir Edwin Landseer
) exhibited at the Royal Academy
a painting from JB
's De Monfort; he had already painted Samuel Richardson
's Clarissa. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 1: 511 |
Reception | Anna Seward | |
Reception | Teresia Constantia Phillips | An outcry greeted the publication, and pamphlets of attack and defence followed. The Gentleman's Magazine printed two anonymous epistles addresssed to TCP
in August. After the second volume appeared, Henry Muilman
made an attempt to... |
Reception | Eliza Haywood | EH
's reputation during her lifetime and immediately afterwards (bolstered by Pope's image of her in the Dunciad) was of the quintessential practitioner of the novel, seen as low-grade entertainment both intellectually and morally... |
Reception | Elizabeth Hervey | It has been until recently a given of literary history that William Beckford
had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope
, thus... |
Reception | Mary Davys | One contemporary reader recorded in a couplet the conviction that Familiar Letters ends with the two correspondents heading for marriage. Recent readers (as represented by editor Martha Bowden
and several classes of students) are more... |
Textual Features | Elizabeth Fenton | Fenton sets out to paint a a familiar picture of the everyday occurrences, manners, and habits of life of persons undistinguished either by wealth or fame Fenton, Elizabeth. The Journal of Mrs. Fenton. Editor Lawrence, Sir Henry, Edward Arnold. 1-2 |
Textual Features | Eliza Parsons | The heroine is abandoned as a two-year-old on a beach in northern Ireland by a mysterious traveller, together with fine linen marked with an L. and an unexplained number. The locals are Nelly and Dermont... |
Textual Features | Sophia Lee | The plot in some ways echoes that of Richardson
's Pamela. Cecilia Rivers, orphan daughter of a poor and saintly clergyman, comes down in the world and has to earn her living as a... |
Textual Features | Sarah Scott | The French heroine tells her own life-story. Her mother dies at her birth. Among various persecutions, she is abducted and imprisoned in one of those rooms, not uncommonly found in old castles, where the owner... |
Textual Features | Jane Collier | The commonplace-book throws light on Collier's other extant writings as well. A casual mention of what Sally calls the Turba proves definitively that at least one neologism in The Cry stemmed not from her but... |
Textual Features | Catherine Talbot | CT
's letters often convey her literary opinions, discussing writing by, for instance, Marie de Sévigné
, Richardson
, Henry Fielding
and Samuel Johnson
. She also writes of the details of her daily life... |
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