Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto.
353-60
Samuel Richardson
-
Standard Name: Richardson, Samuel
SR
's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Hester Mulso Chapone | As a member of the Richardson
circle, his informal core committee of collaborators on his second and third novels, Hester Mulso had some influence on the shaping of Clarissa, both through face-to-face conversation and... |
| Textual Production | Eliza Haywood | EH
was early in the field of adverse comment on Samuel Richardson
's Pamela, with a burlesque fiction, Anti-Pamela; or, Feign'd Innocence Detected. Haywood, Eliza. “Introduction and Chronology of Events in Eliza Haywood’s Life”. The Injur’d Husband, or, The Mistaken Resentment; and, Lasselia, or, The Self-Abandon’d, edited by Jerry C. Beasley, University Press of Kentucky, p. ix - xlii. xli |
| Textual Production | Frances Sheridan | At about the same age she wrote two sermons, now lost. Eugenia and Adelaide was surreptitiously written, because of her father's dislike of women's scribbling. Frances wrote enough for two volumes, on paper purloined... |
| Textual Production | Anna Seward | In a letter to Humphry Repton
of February 1786 AS
made it clear that she expected cultivated people to disapprove of novels in general, though she admitted that Richardson
's Clarissa was in a different... |
| Textual Production | Sarah Fielding | SF
's The History of the Countess of Dellwyn was published in an edition of a thousand copies by Andrew Millar
, and printed by Samuel Richardson
. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xl |
| Textual Production | Emma Tennant | Like a Daniel Defoe
or Samuel Richardson
, she professes to be only the editor of her protagonist's own text. |
| Textual Production | Hester Mulso Chapone | HMC
's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson
himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney |
| Textual Production | Eliza Haywood | The second volume followed on 26 October 1725. Both were published at Dublin as well; both apparently circulated in manuscript before publication. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 211-12, 213 Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press. 88 |
| Textual Production | Eliza Haywood | It is not clear whether a first edition was published and read out of existence; in any case, no known copy survives. It may be that the collection's first appearance was the one called the... |
| Textual Production | Sheila Kaye-Smith | SKS
edited for the Regent Library a selection from the works of Samuel Richardson
. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Walker, Dorothea. Sheila Kaye-Smith. Twayne. 15 |
| Textual Production | Sarah Fielding | Begun in mockery of Richardson
's Pamela, Joseph Andrews developed into a new kind of novel, the comic epic poem in prose. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xxxviii |
| Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages. vii |
| Textual Production | Anne Grant | The future AG
addressed to Harriet Reid
a letter written to the moment in the Richardsonian
style, bit by bit throughout the day. Grant, Anne. Letters from the Mountains. Longman, Hurst, Rees, and Orme. 1: 6-22 |
| Textual Production | Anne Lister | AL
wrote in her diary a statement echoing Rousseau
: I know my own heart, and understand my fellow man. From this her editor Helena Whitbread
titled the first printed volume of the diary. The... |
| Textual Production | Mary Wollstonecraft | During the same year, 1790, Johnson
published Young Grandison. A Series of Letters from Young Persons to Their Friends, MW
's free rendering of a Richardson
-inspired juvenile conduct book by the Dutchwoman Maria Geertruida van de Werken de Cambon |
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