Samuel Richardson
-
Standard Name: Richardson, Samuel
SR
's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, 1930, p. vii - viii; various pages. vii |
Textual Production | Anna Maria Mackenzie | Francis, The Philanthropist is included among Chawton House Library
's Novels On-line at http://www.chawtonhouse.org/?page_id=55488. The author (not AMM
) says she intends, even though she admires Richardson
, to emulate Henry Fielding
and Smollett
... |
Textual Production | Sarah Fielding | Begun in mockery of Richardson
's Pamela, Joseph Andrews developed into a new kind of novel, the comic epic poem in prose. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli. xxxviii |
Textual Production | Anna Williams | |
Textual Production | Emma Tennant | Like a Daniel Defoe
or Samuel Richardson
, she professes to be only the editor of her protagonist's own text. |
Textual Production | John Oliver Hobbes | The Fountain's publisher, Congregationalist minister Joseph Parker
, was a family friend. In addition to her publications in this newspaper, JOH
was writing letters, other stories, and plays that she mounted at home in... |
Textual Production | Cecily Mackworth | When Nathalie Sarraute
argued that the novel is a dead form,CM
thought of three examples to prove her wrong:Marie-Madeleine de Lafayette
's La Princesse de Clèves, Samuel Richardson
's Clarissa, and the novels of Ivy Compton-Burnett
. Mackworth, Cecily. Ends of the World. Carcanet, 1987. 113 |
Textual Production | Frances Sheridan | At about the same age she wrote two sermons, now lost. Eugenia and Adelaide was surreptitiously written, because of her father's dislike of women's scribbling. Frances wrote enough for two volumes, on paper purloined... |
Textual Production | Sarah Fielding | She dedicated it to the court lady Anna Maria Poyntz
. It may perhaps be the Book Upon Education Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli. xxxix |
Textual Production | Elizabeth Singer Rowe | At her death ESR
emulated the characters in her own Friendship in Death (and anticipated Samuel Richardson
's Clarissa) by leaving letters to her friends for posthumous delivery. |
Textual Production | Elizabeth Singer Rowe | This may have been in print before the end of 1738. It had a frontispiece portrait of ESR
by George Vertue
, which marks her fame with the attributes of crown, laurel, and trumpet. Stecher, Henry F. Elizabeth Singer Rowe, the Poetess of Frome: A Study in Eighteenth-Century English Pietism. Herbert Lang, 1973. 17 |
Textual Production | Catherine Talbot | CT
was one of those whose criticisms and suggestions helped to shape the final form of Richardson
's final novel, Sir Charles Grandison. |
Textual Production | Penelope Aubin | PA
's latest novel, The Life of Charlotta Du Pont. An English Lady; Taken from her own Memoirs, was advertised with her name; it was dedicated to a Mrs Rowe. The novel is available... |
Textual Production | Sarah Daniels | In 2004 SD
adapted at least two works for radio. She compressed Samuel Richardson
's novel Pamela, or Virtue Rewarded into a two-part radio play with one hour per episode. She based The Long Wait... |
Textual Production | Mary Howitt | Notable among MH
's large fictional output are didactic stories like Johnny Derbyshire, a Country Quaker (written jointly with her husband). She and Elizabeth Gaskell
swapped ghost stories by letter, but MH
would not encourage... |
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Texts
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