H. G. Wells

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Standard Name: Wells, H. G.
HGW began writing in his childhood and publishing just before the close of the nineteenth century. He was a journalist, novelist, historian and autobiographer, whose favourite fictional genres are science fiction on one hand and on the other realistic explorations of social and political conditions, including women's issues.

Connections

Connections Author name Excerpt
Literary responses E. Nesbit
In 1915 EN was granted a Civil List pension of sixty pounds a year. She was pleased but not overwhelmed at this honour, and thought it ought not to have been taxed.
Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson.
365-6
She evidently...
Literary responses Margaret Atwood
Ursula K. Le Guin, reviewing, noted the rarity of individual characters of some complexity in satire (even Atwood's own satire), and therefore particularly welcomed the female characters here as real people, but heartbreaking ones...
Literary responses Zoë Fairbairns
The Times Literary Supplement reviewer, Frank Pike , judged the novel ambitious yet unpretentious.
Pike, Frank. “Catching Up: Fiction”. Times Literary Supplement, No. 4003, p. 104.
104
He quoted a remark by Fay Weldon on its jacket, calling ZFa female H. G. Wells ,
Pike, Frank. “Catching Up: Fiction”. Times Literary Supplement, No. 4003, p. 104.
104
Literary responses Margaret Kennedy
The novel's initial favourable reviews came from an earlier generation of authors, including George Moore , A. E. Housman , Thomas Hardy , Arnold Bennett , J. M. Barrie , and H. G. Wells ...
Literary responses Enid Bagnold
EB 's friend Desmond MacCarthy approached Virginia Woolf to review the book, but she refused, having taken a dislike to Bagnold and assuming that she had enmeshed poor old Desmond.
Friedman, Lenemaja. Enid Bagnold. Twayne.
9
As Woolf put it...
Literary responses Henry Handel Richardson
Early reviews mixed horror (a libel on girlhood, the result of a curious mania for telling the literal truth regardless of the ordinary canons as to what is and what is not fitting for...
Literary responses G. B. Stern
She was much comforted by a letter from H. G. Wells in which he praised this book.
Stern, G. B. Trumpet Voluntary. Cassell.
7
Literary responses Enid Bagnold
Responses to the novel were mixed. The feminist journal Time and Tide judged it a really important book, a mark in feminist history as well as a fine literary feat. Here at last is a...
Literary responses Elizabeth Robins
ER 's publisher, Hutchinson , blamed this book's poor sales (only 300 copies) on the author's insistence on maintaining her anonymity.
John, Angela V. Elizabeth Robins: Staging a Life, 1862-1952. Routledge.
214
Reviewers, however, mostly revealed her identify, and those who quarrelled with this book...
Literary responses Arnold Bennett
This novel received immediate praise in the press, though sales of the small print-run took a long time to pick up. Enthusiastic reviewers included such different writers as Walter de la Mare (in the Times...
Literary responses John Galsworthy
JG 's literary reputation, established with his first Forsyte novel, was strong in the late Edwardian period and the early 1920s, but deteriorated later in the decade (though he remained very popular with the public)...
Literary responses Rebecca West
The wit and audacity with which RW attacked literary figures in her Freewoman articles—from Mary Augusta Ward 's complete lack of sense
West, Rebecca. The Young Rebecca. Editor Marcus, Jane, Macmillan with Virago, http://UofA.
15
to H. G. Wells 's spinsterish gossip
West, Rebecca. The Young Rebecca. Editor Marcus, Jane, Macmillan with Virago, http://UofA.
64
—helped her to make a name for herself quickly.
Literary responses Arnold Bennett
Margaret Drabble began work on her biography of AB (published in 1974) in a partisan spirit, because she felt Bennett was seriously undervalued. She was, she wrote, surprised to find she enjoyed and respected...
Literary responses Dorothy Richardson
H. G. Wells , reviewing this work, wrote that DR had probably carried impressionism in fiction to its furthest limit. He considered that her percepts never become concepts, and that her heroine is not a...
Literary Setting Dorothy Richardson
Hypo Wilson's seaside home, modelled after a house that H. G. Wells had in Kent, is another of the novel's settings. Here, Miriam's writer friend Hypo is portrayed in the present as she views...

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