Ezra Pound

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Standard Name: Pound, Ezra
EP , American poet, critic, editor, translator, and key figure in the literary modernist movement, lived in London from 1908 to 1921, in Paris from 1921 to 1924, and then in Italy until the end of the Second World War. His vociferous, antisemitic support for Italian fascism earned him thirteen years in a US hospital for the criminally insane. He worked from 1917 until near the end of his life on his massive and generically multiple epic poem Cantos, which he published in serial fragments.

Connections

Connections Author name Excerpt
Textual Features Philip Larkin
His selection was resolutely unfashionable, favouring Hardy and Betjeman at the expense of Eliot and Pound . He was, however, remarkably generous in his selection of women poets (often for just one or two poems...
Textual Production Christine Brooke-Rose
Here she examines Stephen Crane , Nathaniel Hawthorne , Ezra Pound , and W. H. Auden , as examples of the role and operation of poets or fiction writers who also produce criticism.
Textual Production Sylvia Pankhurst
In its latter years the Dreadnought took on a more literary tone, featuring stories by Anatole France and poetry by Ezra Pound . One of those who worked on it with SP was Claude McKay
Textual Production Q. D. Leavis
This suggests that QDL had some part in F. R. Leavis's domination of the teaching of English at Cambridge (through ideas linked to the schools of Practical Criticism and New Criticism), with his published works...
Textual Production Natalie Clifford Barney
In 1919 she hired Ezra Pound to respond to the manuscript. He told her that she was out of touch . . . with the best contemporary work, that she did not understand the difference...
Textual Production Elaine Feinstein
EF was editor of the first number of Prospect, a literary magazine published this winter at Cambridge University . She used her editorship (continued until the fifth issue) to introduce an American avant-garde influenced...
Textual Production H. D.
In autumn 1912 Hilda Doolittle and her new friend Richard Aldington together showed Ezra Pound some of their collaborative translations from the Greek Anthology.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Textual Production Harriet Shaw Weaver
The important literary magazine The Egoist passed into HSW 's editorship from 15 June 1914; she agreed to take on this post partly in order to limit the influence that Ezra Pound , with his...
Textual Production Dora Marsden
In the last issue of The New Freewoman, Pound , Aldington , Huntley Carter , Allen Upward , and Reginald Kauffman published an open letter beginning, We, the undersigned men of letters who are...
Textual Production Dora Marsden
This journal had an auspicious beginning: Marsden announced in January that it would serialize James Joyce 's A Portrait of the Artist as a Young Man. Marsden played an important role in Joyce's early...
Textual Production Dora Marsden
But DM 's involvement with The Egoist began to slacken shortly after its début. This was in part because of her distance from London (in Southport), her desire to focus on her philosophical writing...
Textual Production Sir James George Frazer
The Golden Bough, a comparative study of human beliefs from the earliest times, had a major influence on modernist writings. SJGF 's text outlines an evolving belief system, which moves from magic, to religion...
Textual Production Dora Marsden
Formerly stored in a wicker trunk at the home of her niece Elaine Dyson Bate, DM 's papers are now at Princeton University . Her collection contains manuscripts, papers, and letters to and from Rebecca West
Textual Production May Sinclair
Ezra Pound , seeking to obtain a hearing for Eliot's difficult new poetry, saw MS as a valuable and unusual spokesperson from the former generation.
Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press.
199
Textual Production Nancy Cunard
The same company published Pound and Eliot (whose Prufrock is a pervasive presence in Cunard's first two collections). The title of this one strikes a note characteristic of her throughout her life. In later life...

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