Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Muriel Spark | She had completed the narrative title poem (whose title comes from Baudelaire
) the previous year. The Fanfarlo is an exotic lover or muse or alter ego to Baudelaire's character Samuel Cramer. The conception fed... |
Textual Production | Liz Lochhead | The title is a phrase from a poem by Baudelaire
; it says that one ought to take a few flowers to the dead, who are desolate. The play was published in Bagpipe Muzak. |
Textual Production | Katherine Mansfield | Stories she designed for particular sets of readers around this time, especially those for the Fabian New Age, show the edge of professionalism. She had already written bowdlerised versions of Baudelaire
and Wilde
... |
Textual Production | Edna St Vincent Millay | Flowers of Evil by George Dillon
and ESVM
, their translation of Baudelaire
's Les Fleurs du Mal, was published by Harper
. Individual poems bore the initials of one or other or both translators. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001. 398 |
Textual Production | Sybille Bedford | She later mentioned two youthful pieces on social issues involving literature: one on the potential damage done by a cheap popular press, Baudelaire
's view of l'infâmie de l'imprimerie, and the other on the... |
Theme or Topic Treated in Text | Mary Elizabeth Braddon | Wolff sees this novel as working out the Zola
theory of hereditary destiny. Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 308 |
Theme or Topic Treated in Text | Maud Sulter | |
Theme or Topic Treated in Text | Angela Carter | Black Venus re-interprets actual women of history whose public image has been demonized, like Lizzie Borden
the alleged of murderess and Jeanne Duval
(a mixed-race woman who suffered from syphilis, mistress and muse of Charles Baudelaire |
Theme or Topic Treated in Text | T. S. Eliot | These essays thus represent a radical shift in thinking. They are much concerned with reputation. That on Machiavelli
observes that he is a man uniquely misunderstood, whose reputation is uniquely skewed. Eliot argues that Baudelaire |
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