Jordan, Ruth. George Sand: A Biographical Portrait. Taplinger.
xiv
George Sand
-
Standard Name: Sand, George
Birth Name: Amantine Aurore Lucile Dupin
Married Name: Amantine Aurore Lucile Dudevant
Pseudonym: George Sand
French writer George Sand
(Aurore Dudevant) wrote over one hundred novels and plays. Her correspondence fills twenty-five volumes. She averaged two novels a year after 1831. British writers including Elizabeth Barrett Browning
and George Eliot
were strongly influenced by her writing, and her notorious life became one of the benchmarks by which women writers were judged.
oii_image_credit
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Literary responses | Emily Lawless | In a long assessment for the New Review, Mary Augusta Ward
also cited Loti, but pointed too at Spanish writers Fernan Caballero
and Perez Galdos
as exhibiting a similar care for landscape .... |
| Leisure and Society | Charlotte Dempster | During one of her trips to Paris, CD
attended a performance of a play by George Sand
. Sand's work, she thought, did not suit the stage: behind the footlights you miss all that makes... |
| Intertextuality and Influence | Mary Elizabeth Braddon | Waters argues that MEB
ought not to be condemned for clichés that she herself helped to establish. Rather we should examine them and the genre of the detective or sensation novel as an index of... |
| Intertextuality and Influence | John Oliver Hobbes | Pearl Richards (later JOH
) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less... |
| Intertextuality and Influence | Mary Elizabeth Braddon | Ishmael is set in Brittany and Paris, mainly between 1850 and 1867, during the reign of Louis Napoleon
. The title character is the son of a Breton aristocrat, despised by his father on... |
| Intertextuality and Influence | John Oliver Hobbes | JOH
's speeches and interviews regularly deal with literature. In an interview with William Archer
, she admits to admiring Arthur Wing Pinero
's characterisation of women, while noting how little individualised are some of... |
| Intertextuality and Influence | Charlotte Brontë | Given CB
's intensive reading in French in the 1840s, some critics have concluded that she read George Sand
during the period when she was moving her writing from the world of the juvenilia to... |
| Intertextuality and Influence | Susan Tweedsmuir | The opening proper of this volume invokes with some trepidation George Sand
's statement that there is nothing more tedious than the dregs of an old régime. Tweedsmuir, Susan. A Winter Bouquet. G. Duckworth. 20 |
| Intertextuality and Influence | Elizabeth Barrett Browning | By 1832 she had read Mme de Staël
's novel of the romantic female artist, Corinne, three times and claimed the immortal book ought to be reread annually. Browning, Robert, and Elizabeth Barrett Browning. The Brownings’ Correspondence. Editors Kelley, Philip et al., Wedgestone Press. 3: 25 |
| Intertextuality and Influence | Michèle Roberts | The title story uses mud or muddy almost thirty times. MR
writes, as always, as a feminist; these stories occupy a borderline between the self-making of women and their appropriation into patriarchal stories. She enjoys... |
| Intertextuality and Influence | Michèle Roberts | The French side of MR
's heritage includes influence from George Sand
and Colette
. Newman, Jenny. “Michèle Roberts”. Contemporary British and Irish Fiction, edited by Sharon Monteith et al., Arnold, pp. 119-34. 119 |
| Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
| Intertextuality and Influence | Isa Blagden | To George Sand
: On Her Interview with Elizabeth Barrett Browning contrasts the two poets and their work. IB
represents Barrett Browning as a paragon of stainless femininity, Sand as a fettered maniac with a... |
| Intertextuality and Influence | Deborah Levy | This book has four sections, each titled from a reason for writing, Political Purpose, Historical Impulse, Sheer Egoism, and Aesthetic Enthusiasm. The first and last describe a period of near-breakdown that... |
| Intertextuality and Influence | Isak Dinesen | Many of ID
's favourite motifs appear here fully formed: cross-dressing, siblings of opposite sexes who seem like aspects of each other, royal personages (Danish) corrupted by patriarchy, young women threatened by misogynistic patriarchy, other... |
Timeline
No timeline events available.
Texts
No bibliographical results available.