Friedmann, Elizabeth. A Mannered Grace. Persea Books, 2005.
277ff
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Laura Riding | W. B. Yeats
tried, rather late in the day, to get some of Riding's poems for The Oxford Book of Modern Verse. Their correspondence was fairly amicable Friedmann, Elizabeth. A Mannered Grace. Persea Books, 2005. 277ff |
Textual Production | Augusta Gregory | |
Textual Production | Maud Gonne | The United Irishman published the text of MG
's own play, Dawn, A Play in One Act and Three Tableaux, about the Great Famine of the 1840s, two years after she appeared in the... |
Textual Production | Augusta Gregory | Gods and Fighting Men: The Story of the Tuatha de Danaan and of the Fianna of Ireland, AG
's translation and arrangement of a medieval romance cycle, was published with a preface by W. B. Yeats
. Mikhail, Edward Halim. Lady Gregory: An Annotated Bibliography of Criticism. Whitston, 1982. 22 McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525. 531 |
Textual Production | Augusta Gregory | The part of Cathleen was written for Maud Gonne
, who played it magnificently and with weird power, as Yeats
put it. qtd. in Murphy, James H. “Broken Glass and Batoned Crowds: Cathleen Ni Houlihan and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan ODay, Routledge, 2004, pp. 113-27. 124 |
Textual Production | Sylvia Townsend Warner | STW
began writing poetry as a member of a group called the New Elizabethans, centred in Oxford and including Richard Hughes
, Roy Campbell
, and Ivor Gurney
. Yeats
was also a sympathiser. Rattenbury, Arnold. “How the sanity of poets can be edited away”. London Review of Books, 14 Oct. 1999, pp. 15-19. 17-18 |
Textual Production | Florence Farr | FF
published The Music of Speech, a detailed account of the technique she developed in collaboration with W. B. Yeats
for reading poetry set to music. Farr, Florence. The Music of Speech. Elkin Mathews, 1909. title-page TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 376 (25 March 1909): 119 |
Textual Production | Maud Gonne | This is the date of the earliest remaining letter of the correspondence between MG
and W. B. Yeats
, which they maintained until his death on 28 January 1939. Gonne, Maud, and W. B. Yeats. The Gonne–Yeats Letters 1893–1938. Editors White, Anna MacBride and A. Norman Jeffares, Hutchinson, 1992. 49, 453 |
Textual Production | Florence Marryat | FM
published another novel, entitled Fighting the Air, dedicated in memory of an Irish welcome Marryat, Florence. Fighting the Air. B. Tauchnitz, 1875, 2 vols. prelims Lady Olive, 1850 - 1925, was the wife of Sir Arthur Guinness, later... |
Textual Production | Anna Letitia Barbauld | ALB
published her longest poem, a controversial and important analysis of the current state of the nation, of recent history, politics, and war: Eighteen Hundred and Eleven. As precedent for titling a poem about... |
Textual Production | Kathleen Raine | KR
published Yeats the Initiate, a collection of her critical studies on William Butler Yeats
written over the course of twenty years. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Raine, Kathleen. Yeats the Initiate. Dolmen, 1984. xvii |
Textual Production | Maud Gonne | Gonne
kept safe the letter that Yeats
wrote her on this date, noting it as the last letter from W. B. Y.. Gonne, Maud, and W. B. Yeats. The Gonne–Yeats Letters 1893–1938. Editors White, Anna MacBride and A. Norman Jeffares, Hutchinson, 1992. x |
Textual Production | Storm Jameson | Decades later she remembered praising Chekhov
, Hoffmansthal
, Ibsen
, and Strindberg
, while admitting that I mocked, censured, rebuked, tore down, with reckless delight, Shaw
, Yeats
, Masefield
, Jameson, Storm. Journey from the North. Harper and Row, 1970. 69 |
Textual Production | Maud Gonne | |
Textual Production | John Millington Synge | He had begun writing this play in the summer of 1902, staying with his mother and relatives at a farmhouse in Tomriland, Wicklow, and by October had shown a version to the Theatre Society... |
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