James Thomson

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Standard Name: Thomson, James,, 1700 - 1748

Connections

Connections Author name Sort ascending Excerpt
Literary responses Mary Collier
Donna Landry , in her pioneering book about labouring-class woman poets, attributed to MC a religious conservatism which she said she would rather believe that Collier was assuming to please her patrons. She nevertheless finds...
Intertextuality and Influence Emily Frederick Clark
The title-page of the first volume quotes Mary Robinson writing on the heart's sufferings, and that of the last volume quotes James Thomson on the eventual reward for suffering of the noble few. The...
Textual Features Dorothea Celesia
Though the poem, in heroic couplets, turns at the end to praise of virtue, its notion of indolence is more positive than that of James Thomson in The Castle of Indolence, 1748. In leisurely...
Intertextuality and Influence Dorothea Primrose Campbell
She dedicated the volume to Jane, Duchess of Gordon .
Gordon was well known as a social and political mover. Her reputation included great beauty, quick repartee, excellent business sense, astute match-making, and also coarse...
Textual Production Dorothea Primrose Campbell
The volume's subscribers come from Lerwick, London, and places in between. It includes new material as well as most of the poems from Campbell's earlier volume; the same quotation from Thomson adorns the...
Intertextuality and Influence Medora Gordon Byron
Alexander Pope is quoted on the title-page (An Essay on Criticism), James Thomson at the head of the first chapter, John Langhorne for another chapter. The novel opens in the new style of...
Textual Production Medora Gordon Byron
It was in four volumes, from the Minerva Press , with a quotation from Francis Bacon on the title-page, and further chapter-headings from Shakespeare , Swift , Prior , Thomson , Goldsmith , Edward Young
Intertextuality and Influence Frances Brooke
Brooke's preface said she had drawn on the book of Ruth, on the Palemon and Lavinia inset story in James Thomson 's Seasons, and on an opera by Favart .
Critical Review. W. Simpkin and R. Marshall.
55 (1783): 152
Intertextuality and Influence Elizabeth Boyd
A first prologue addresses Pope , and invokes the ghosts of Shakespeare (The Wonder, as the Glory of the Land) and Dryden (Shakespear's Freind) as mentors to EB 's performance in...
Literary Setting Susanna Blamire
This topographical poem in heroic couplets has many remarkable features: an early description of urban industrial conditions (as the poet opens by turning her back on the town for the village); a catalogue of flowers...
Literary responses Anna Letitia Barbauld
William Enfield quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy . Her volume...
Textual Features Anna Letitia Barbauld
These are not narratives, but more like dramatised scenes from a child's daily life, with emphasis on food, play, and other pleasures. The vocabulary is limited, inessentials pared away, and the short sentences, often in...
Reception Jane Austen
In 1933 there was excitement in the book-collecting world when a small collection of books that Austen had owned (by writers like Ariosto , Goldsmith , Hume , and Thomson ) appeared in the catalogue...

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