Alexander Pope

-
Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.

Connections

Connections Sort descending Author name Excerpt
Reception Elizabeth Tollet
Sir Isaac Newton admired ET 's earliest essays (that is, attempts at writing). Thomas Parnell praised her Apollo and Daphne in a poem which he contributed to Steele 's Poetical Miscellanies, 1714 (which actually...
Reception Eliza Haywood
This collection of attacks on Pope and vindications of women was probably published by Edmund Curll . EH 's appearance in this volume (and her presentation as the friend and confidante of Curll) confirmed her...
Residence Janet Schaw
She travelled with her brother Alexander , heading for his post on St Kitts; she may have intended to live with him there (having no male relations left at home since her father's death)...
Textual Features Sarah, Lady Pennington
She advises about relations with servants, about prompt payment of bills, and other aspects of running a complicated household. She says there will always be vacant Hours to fill up with reading,
Sarah, Lady Pennington,. An Unfortunate Mother’s Advice to her Absent Daughters. W. Bristow and C. Ethrington.
38
and offers...
Textual Features Jane Cave
One interesting feature is the inclusion of nine poems by other authors: the canonical Prior , Swift , and Pope , the lesser-known men John Scott , William Broome , and Nathaniel Cotton , and...
Textual Features Mercy Otis Warren
An Advertisement pretends to complain that the important business of entertainment is currently being inconveniently interrupted by politics. Its irony, however, is contradicted by a prologue quoting Pope on the use of satire as an...
Textual Features Lady Mary Wortley Montagu
Her poetry as a whole is conspicuous for its versatility. Her major early influences (Katherine Philips and Abraham Cowley ) were succeeded by Dryden . (She always denied any influence from Pope .) But...
Textual Features Elizabeth Gilding
Edward Pitcher describes these poems, the last identified from her pen, printed and apparently written soon after childbirth, as gloomy in tone.
Pitcher, Edward W. Woman’s Wit. Edwin Mellen Press.
311
The Desire seems to embrace, for a woman, the kind of obscurity...
Textual Features Judith Cowper Madan
The poem in its later version, headed with a quotation from Virgil , opens: Unequal, how shall I the search begin, / Or paint with artless hand the awful scene?
Concanen, Matthew, editor. The Flower-Piece. Walthoe.
130
JCM calls on the...
Textual Features Elizabeth Bentley
The poems appear in chronological order, written over the years since 1785, with a bumper year in 1789. EB writes in various modes, using on the whole conventional and old-fashioned style and sentiment in each...
Textual Features Anna Seward
The series (completed in 1791) developed from AS 's strictures on John Weston 's contributions to a book entitled Records of the Woodmen of Arden. She compared Dryden with Pope to the advantage of...
Textual Features Frances Burney
Along with the sentimental and misunderstanding-prone lovers and the ridiculous esprit circle (which might so easily be taken to represent the Bluestockings), The Witlings features a women's working environment: a milliner's shop where seamstresses make...
Textual Features Judith Cowper Madan
Her courtship letters, says Rumbold, are insecure, unhappy, and demanding.
Rumbold, Valerie. “The Poetic Career of Judith Cowper: An Exemplary Failure?”. Pope, Swift, and Women Writers, edited by Donald C. Mell, University of Delaware Press, pp. 48-66.
62
She later sometimes discussed books with her husband: she admired Richardson 's Pamela for its power over the emotions and also its power to...
Textual Features Eleanor Anne Porden
EAP says she was captivated by the chivalrous and romantic spirit which breathes from every page of . . . history.
Porden, Eleanor Anne. Coeur de Lion. G. and B. Whittaker.
1: xv
She uses couplets, unadorned and yet Popeian . The long scholarly footnotes...
Textual Features Marguerite Gardiner, Countess of Blessington
The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the...

Timeline

No timeline events available.

Texts

No bibliographical results available.