Alexander Pope
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Standard Name: Pope, Alexander
As well as being a translator, critic, and letter-writer, AP
was the major poetic voice of the earlier eighteenth century, an influence on almost everyone who wrote poetry during his lifetime or for some years afterwards.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Features | Jane Collier | The Art of Tormenting is often referred to as a novel, but its genre is really that of the spoof instruction manual: the genre of Pope
's The Art of Sinking in Poetry and Swift |
Textual Features | Sarah Green | The tone of the work is conservative, leavened with an intelligent concern for development of independent thinking. Topics of various letters include Conduct and Conversation, Forbearance, Chastity, Truth, Employment of Time... |
Textual Features | Sarah Lady Pennington | She advises about relations with servants, about prompt payment of bills, and other aspects of running a complicated household. She says there will always be vacant Hours to fill up with reading, Pennington, Sarah, Lady. An Unfortunate Mother’s Advice to her Absent Daughters. W. Bristow and C. Ethrington, 1761. 38 |
Textual Features | Lady Mary Wortley Montagu | Montagu in her travel book shows herself an acute observer of the various Christian European cultures, as well as of Islamic Europe and Turkey, and the classically-haunted Mediterranean. She tends to approve Protestant... |
Textual Features | Elizabeth Boyd | EB
offers original, discriminating praise for women's writing: Susanna Centlivre
(her inspiration, she says), Eliza Haywood
(though she regrets her exposure of women's faults), Aphra Behn
, and Delarivier Manley
, whom she calls the... |
Textual Features | Jane Johnson | The poem is headed with a quotation from Psalm 19: The Heavens declare the Glory of God, & the Firmament showeth his handy work—the same psalm which Addison
had famously rendered as The spacious... |
Textual Production | Lady Mary Wortley Montagu | Each issue of To the Imitator was priced at sixpence. One appeared through a trade publisher, James Roberts
, and one through a mercury, Anne Dodd
. Both these were pamphlet-producers who offered... |
Textual Production | Samuel Johnson | SJ
published his anonymous satirical poem London; it was at first ascribed to Pope
. Johnson, Samuel. The Letters of Samuel Johnson. Editor Redford, Bruce, The Hyde Edition, Princeton University Press, 1992–1994, 5 vols. 1: 15n2 |
Textual Production | Emma Parker | The title-page quoted Pope
's dictum that woman's a contradiction still. Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby, 1811, 4 vols. title-page qtd. in Feminist Companion Archive. |
Textual Production | Elizabeth Thomas | Curll
published one of the many prose attacks on Pope
, who at once concluded it was written by Baines, Paul, and Pat Rogers. Edmund Curll, Bookseller. Clarendon Press, 2007. 196 Mills, Rebecca. "Thanks for that Elegant Defense": Polemical Prose and Poetry by Women in the Early Eighteenth Century. Oxford University, 2000. 128 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Mary Seymour Montague | It is likely though not absolutely certain that the author was really female. Her pseudonym suggests Lady Mary Wortley Montagu
(who had died nine years earlier, and whom this poem praises as the only woman... |
Textual Production | Maria Barrell | This was Printed for the Author, with a quotation from Prior
on the title-page. Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats, 1770. prelims |
Textual Production | Mercy Otis Warren | Now back in Plymouth, she visited Boston to see the book through the press. Her title-page quotation from Pope
ironically places herself, by implication, among the dunces. She dedicated the collection to George Washington
. |
Textual Production | Helen Craik | A manuscript of HC
's collected poems has been mentioned, but has not been traced. Burns, Robert. The Poetry of Robert Burns. Editors Henley, William Ernest and Thomas F. Henderson, Caxton , 1896–1897, 4 vols. 373 |
Textual Production | Amelia Beauclerc | It is in four volumes, with a title-page quotation from Pope
about how a work cannot be faultless. |
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