Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto.
57
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Eliza Haywood | This may have been an expanded version of the unpublished collection The Danger of Giving Way to Passion, in Five Exemplary Novels. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 57 |
Textual Production | Eliza Haywood | The second volume followed on 26 October 1725. Both were published at Dublin as well; both apparently circulated in manuscript before publication. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 211-12, 213 Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press. 88 |
Literary responses | Eliza Haywood | The personal attacks in this work provoked backlash. Haywood was either reproved or attacked in her turn by Richard Savage
, Martha Fowke
, and David Mallet
, and their attacks established the convention that... |
Publishing | Héloïse | Hughes's first edition, 1713, was already equipped with a prefatory account of the lives of its protagonists, which weds their texts to the fictionalised tradition about them. It has in turn been edited by James E. Wellington |
Fictionalization | Héloïse | Since then she has remained a favourite subject for fiction (generally in her role as mistress rather than writer or churchwoman). Alexander Pope
spread her reputation considerably when he borrowed her voice for his popular... |
Intertextuality and Influence | Mary Herberts | This tale is not continuous, but distributed in sections throughout the book. The romance couples make periodic contact with the Countess Brillante, a woman writer about whom Herbert's attitude is typically protean and hard to... |
Reception | Elizabeth Hervey | It has been until recently a given of literary history that William Beckford
had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope
, thus... |
Textual Production | Margaret Holford | Published by Hookham and Carpenter
, this was a slim volume of 44 pages, with a title-page quotation from Pope
's Windsor Forest, and a handsome illustration of Gresford Lodge near Wrexham in Denbighshire... |
Textual Production | Catherine Hutton | In the same month that she visited London to arrange this publication (her debut as a named author) she also began on her next novel. Yet she wrote of The Miser Married: I have... |
Textual Production | Aldous Huxley | Proper Studies (titled from Alexander Pope
), published in 1929, was AH
's first directly didactic, non-satirical novel. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Publishing | Anne Irwin | The Gentleman's Magazine printed AI
's An Epistle to Mr. Pope
. By a Lady. Occasioned by his Characters of Women. Gentleman’s Magazine. Various publishers. 1736: 745 |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Frances Jacson | The title-page quotes Pope
and Staël
. The novel's opening sounds like a tale of mysterious origins, but without the mystery. A quotation from Shakespeare
's Tempest—Prospero telling Miranda the story of her past—introduces... |
Family and Intimate relationships | Mary Anne Jevons | Mary Anne was very close to her father, William Roscoe
, the historian, writer, patron of the arts, abolitionist and reformer. William began his professional career as a barrister, but retired early. Soon afterwards he... |
Education | Jane Johnson | She was without formal education. Whyman, Susan E. The Pen and the People: English Letter Writers 1660-1800. Oxford University Press. 162 Arizpe, Evelyn et al. Reading Lessons from the Eighteenth Century: Mothers, Children and Texts. Pied Piper Publishing. 31 |
No timeline events available.
No bibliographical results available.