Sir John Gielgud

Standard Name: Gielgud, Sir John

Connections

Connections Author name Sort descending Excerpt
Performance of text Margaret Kennedy
Kennedy co-wrote this play with producer Basil Dean . Opening night in London was a smashing success and a production in New York followed shortly afterwards, to similar acclaim.
Powell, Violet. The Constant Novelist. W. Heinemann.
81
The star-studded cast included Noël Coward
Performance of text Harold Pinter
HP 's play No Man's Land opened at the National Theatre : a two-hander employing the theatrical eminences John Gielgud and Ralph Richardson , directed by Peter Hall .
Fraser, Antonia. Must You Go?. Random House of Canada.
15-17
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Material Conditions of Writing Mary Renault
The Charioteer's focus on homosexuality caused great concern to MR 's publishers. She had not published anything for five years, and this novel was a significant departure from her earlier work. In Britain her...
Family and Intimate relationships Naomi Royde-Smith
Milton had his first big London success in 1922, and before Royde-Smith married him she had praised his magnetic performance as Hamlet.
Speaight, Robert. “Naomi Royde-Smith”. The Tablet, Vol.
218
, No. 6481, p. 21.
Over the course of his career he also tried his luck as a...
Leisure and Society Christopher St John
John Gielgud and Peggy Ashcroft performed in Twelfth Night in the Barn Theatre; it was on this night that CSJ first met her new neighbours Vita Sackville-West and Harold Nicolson .
Glendinning, Victoria. Vita. Penguin.
251
Occupation Noel Streatfeild
After studying at RADA, NS went on the stage, where she gained experience of everything from classic roles to revues and pantomime. Her first engagement was with the Charles DoranShakespeare an Company where she...
Publishing Josephine Tey
Daviot wrote this play in 1936, and sent the script to John Gielgud , who liked [it] very much except for the last act, but this she was not willing to change.
Gielgud, Sir John, and Josephine Tey. “Foreword”. Plays by Gordon Daviot, Peter Davies, p. ix - xii.
ix
It was...
Textual Production Josephine Tey
The other volumes of the set appeared in 1954. Her plays were a special focus of her concern for posthumous publication: her will instructed her agent to pay for their printing out of her estate...
Performance of text Josephine Tey
Gordon Daviot 's first and most successful play, Richard of Bordeaux, starring John Gielgud and Gwen Ffrangcon-Davies , re-opened at London's New Theatre , where it ran for fourteen months.
Tey, Josephine. Richard of Bordeaux. Little, Brown.
prelims
Roy, Sandra. Josephine Tey. Twayne.
14
Harben, Niloufer. Twentieth-Century English History Plays: from Shaw to Bond. Macmillan.
92
Performance of text Josephine Tey
Gordon Daviot 's Queen of Scots, directed by Sir John Gielgud and starring Gwen Ffrangcon-Davies and a young Laurence Olivier , opened at the New Theatre in London.
Gielgud, Sir John, and Josephine Tey. “Foreword”. Plays by Gordon Daviot, Peter Davies, p. ix - xii.
ix
Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research.
10: 139
Roy, Sandra. Josephine Tey. Twayne.
23
Textual Production Josephine Tey
Peter Davies posthumously published the first of a three-volume collection of Plays by Gordon Daviot (also known as JT ), with a foreword by Sir John Gielgud (though without any overview of Daviot's career to...
Friends, Associates Josephine Tey
JT carefully guarded her privacy. Former neighbours reported that she was very reclusive and did most of her writing in a tiny summerhouse. The Inverness Courier's account of her death notes that she did...
Friends, Associates Josephine Tey
On an early visit to London, JT was deeply moved by John Gielgud 's Hamlet, and subsequently began a professional relationship with him. Each played an important role in the other's career: Gielgud helped JT
Textual Production Josephine Tey
JT wrote several plays under the name Gordon Daviot. Her first, Richard of Bordeaux, was by far her greatest critical success. Its immediate successors had much shorter runs, and most of her later...
Intertextuality and Influence Josephine Tey
John Gielgud persuaded Daviot to revise the play after this initial production, the result of which, he claims, was that she improved the play, by a few brilliant strokes, almost beyond recognition.
Gielgud, Sir John, and Josephine Tey. “Foreword”. Plays by Gordon Daviot, Peter Davies, p. ix - xii.
ix
Until these...

Timeline

No timeline events available.

Texts

No bibliographical results available.