Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Angela Carter | The opening parodies that of Austen
's Emma. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 207 |
Intertextuality and Influence | Elizabeth Taylor | As a child Betty Coles (later ET
) wrote plays (with very short scenes each demanding a new and elaborate setting) and stories. She said she always wanted to be a novelist. qtd. in Leclercq, Florence. Elizabeth Taylor. Twayne, 1985. 2 |
Intertextuality and Influence | Molly Keane | This, like Good Behaviour, is a black comedy set in a crumbling Anglo-Irishbig house, Durraghglass. Unlike Good Behaviour it sets its protagonist family (of the same generation as Aroon St Charles) in... |
Intertextuality and Influence | Edna O'Brien | EOB
has named many women writers as important to her: she includes among these Jane Austen
, Emily Dickinson
, Elizabeth Bowen
, Anna Akhmatova
, Anita Brookner
, and Margaret Atwood
, adding: Every... |
Intertextuality and Influence | Elizabeth Inchbald | The Critical covered EI
's version (which had a staggering run of forty-two performances) and Stephen Porter's in the same review. Critical Review. W. Simpkin and R. Marshall, 5 series. 2d ser. 24 (1798): 431 |
Intertextuality and Influence | Elizabeth B. Lester | Longman
's reader (our literary friend qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 449 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 449 |
Intertextuality and Influence | Susan Ferrier | The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride. qtd. in Cullinan, Mary. Susan Ferrier. Twayne, 1984. 75 |
Intertextuality and Influence | Catherine Gore | Like its predecessor, this novel recalls Jane Austen
, but this time the plot (at least the earlier part) is closer to that of Sense and Sensibility. Marcia, a sensible elder sister, makes a... |
Intertextuality and Influence | Mary Louisa Molesworth | In each of these stories a male character knows an attractive woman only by a single feature of her appearance. In Bronzie a schoolboy becomes obsessed with a young woman he observes from behind in... |
Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
Intertextuality and Influence | Mary Ann Kelty | MAK
published, anonymously, her first, part-epistolary, religious novel, The Favourite of Nature: A Tale, which reflects the influence of her admired Jane Austen
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 521 |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | Emily Eden | EE
's preface explains that she first set this novel in what was then the present day: the pre-Reform-Bill, pre-railway era. She did not wish to update it in revising, so it is now set... |
Intertextuality and Influence | Mary Lavin | Another early work was Jane Austen
and the Construction of the Novel, Lavin's MA thesis. |
Intertextuality and Influence | Margaret Oliphant | This novel is narrated in a consistently controlled sardonic tone. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 5 |
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Texts
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