Duffy, Maureen. That’s How It Was. Virago.
x
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Maureen Duffy | MD
formed the desire to be a poet while she was a child: I wouldn't marry or have children but would follow in the penprints of my hero Keats
. Duffy, Maureen. That’s How It Was. Virago. x |
Textual Features | Maureen Duffy | Dates given to poems in the volume range from August 1970 to December 1978. Duffy, Maureen. Memorials of the Quick and the Dead. Hamish Hamilton. 64, 85 |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Helen Dunmore | HD
's many other writings include reviews (of both poetry and fiction), introductions (to the poems of Emily Brontë
, the stories of D. H. Lawrence
and F. Scott Fitzgerald
, and a study of... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann. 19 |
Intertextuality and Influence | Bernardine Evaristo | BE
substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family... |
Textual Production | Eleanor Farjeon | The title (shamelessly re-used by verse anthologists working after EF
) is a quotation from Keats
's Ode to a Nightingale, where the magic windows open on the foam / Of perilous seas, in... |
Intertextuality and Influence | Julia Frankau | The narrator of this novel is a woman writer whose name is Jane, and who has a fussily loving sister called Ella. Jane is a Londoner, but, ill with neuritis (later described as consumption), she... |
Publishing | Antonia Fraser | She followed it with Love Letters: An Anthology, dedicated to Harold Pinter
and published in later 1976. Fraser, Antonia. Must You Go?. Random House of Canada. 62 |
Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
Education | Maggie Gee | MG
gives a very funny account of being interviewed for a place at Cambridge
by Queenie Leavis
, whose name she did not recognise, and talking confidently about Keats
in ignorance of the way F. R. Leavis |
Occupation | Frances Horovitz | Through this experience she met the literary biographer Robert Gittings
. She built with him a professional partnership to work on interpretations of John Keats
and Thomas Hardy
, of whom Gittings was writing biographies... |
Textual Production | Anna Mary Howitt | She chose epigraphs to chapter one from Keats
and James Shirley
, to chapters three and fourteen from Mary Howitt
, and elsewhere from Elizabeth Barrett Browning
, Percy Bysshe Shelley
, and writers in French, German, and Italian. |
Reception | Mary Howitt | MH
's biographer Joy Dunicliff
credits her with introducing the reading public to both Keats
and Gaskell
. Dunicliff, Joy. Mary Howitt: Another Lost Victorian Writer. Excalibur Press of London. 1 |
Education | Elizabeth Jennings | EJ
attended Oxford High School
. It was while a thirteen-year-old pupil there, she later said, that she discovered the excitement of poetry: first The Battle of Lepanto by G. K. Chesterton
, then The... |
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