Richard Brinsley Sheridan
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Standard Name: Sheridan, Richard Brinsley
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Occupation | David Garrick | Drury Lane Theatre
was left in parlous condition at the retirement of David Garrick
; the next manager to make his mark on it was Richard Brinsley Sheridan
, who now became joint-manager with three others. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 5-6 |
Textual Features | Maria Edgeworth | This essay includes elements of fiction and reportage. It both exemplifies and defends the colourful and linguistically distinct qualities of Irish lower-class speech, pointing out that for these speakers English is their second language. (This... |
Publishing | Maria Edgeworth | This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library
. Sheridan
rejected it for Drury Lane |
Textual Production | Maria Edgeworth | ME
wrote in a preface of her desire to find her way in this new career as playwright: a career she had been advised to by Richard Brinsley Sheridan
. Critical Review. W. Simpkin and R. Marshall, 5 series. 5th ser. 5 (1817): 508 |
Performance of text | Hannah Cowley | HC
's farce or afterpiece Who's the Dupe? opened at Drury Lane
under Garrick
's successor, Sheridan
. It was normal practice for light-hearted sketches to follow more serious plays to complete the evening's entertainment. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 246 |
Textual Production | Hannah Cowley | She was said to have begun it on impulse when her husband laughed at her claim that she could produce something better than another play which they had just seen and disliked. She finished it... |
Textual Production | Hannah Cowley | It was badly presented, by two of the cast in particular. Escott, Angela, and Isobel Grundy. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy. 24 Oct. 2002. |
Intertextuality and Influence | Hannah Cowley | The title, flagging a gender-role reversal from George Farquhar
's Beaux' Stratagem, 1707, suggests a return to the wit and worldliness of Restoration comedy. The sub-plot in which Sir George Touchwood tries to keep... |
Occupation | Mary Cowden Clarke | |
Textual Production | Mary Cowden Clarke | MCC
continued to write occasional verse, including a prologue for an amateur production of As You Like It which she cast in the form of a dialogue between herself (Mrs Cowden) and the... |
Friends, Associates | Lady Eleanor Butler | Among their many visitors (apart from the local gentry, with whom they duly established links), close friends included Anna Seward
, Henrietta Maria Bowdler
(who wrote mock-flirtatiously of LEB
as her veillard [sic] or old... |
Textual Production | Frances Burney | After the triumph of Evelina, FB
's first intention was to write for the stage. She had the encouragement of Richard Brinsley Sheridan
, manager of Drury Lane Theatre
, and of dramatist Arthur Murphy
. Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering, 1995, 2 vols. 1: xviii, 3 |
Literary responses | Frances Burney | The reanimation of FB
's comedies is a happy story. Tara Ghoshal Wallace
edited A Busy Day in paperback in 1984. A fringe production performed in Bristol in 1993, then in Islington, London, in... |
Family and Intimate relationships | Rhoda Broughton | The Irish writer Sheridan Le Fanu
was RB
's uncle by marriage. Himself a grandson of Richard Brinsley Sheridan
and great-grandson of Frances Sheridan
, he had married Broughton's mother's sister (who was born Susanna Bennett |
Friends, Associates | Frances Brooke | FB
's friendship with Woffington led to her meeting Peg's sister Polly
, who became her lifelong friend. Eight years older than Brooke, Polly Woffington was a close friend of Samuel Johnson
, Sir Joshua Reynolds |
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Texts
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