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Joanna Baillie
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Standard Name: Baillie, Joanna
Birth Name: Joanna Baillie
Nickname: Jack
Self-constructed Name: Mrs Joanna Baillie
JB
is best known for her stylistically and thematically innovative drama, published from 1798 and through the first two decades of the nineteenth century. Her poetry is now also beginning to be appreciated and a scholarly edition of her letters is available in print and on line. She also published a poetry anthology. Whether regarded from the viewpoint of Scotland or that of London, she is one of the important writers of her generation.
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Textual Production | Barbarina Brand, Baroness Dacre | In March 1819 Joanna Baillie
had described her as Still hankering after the Drama, but fearful & diffident of herself. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 2: 1191 |
| Textual Production | Mary Howitt | The work was dedicated to Caroline Bowles
, with whom MH
's sometimes shaky friendship was currently flourishing. Woodring, Carl Ray. Victorian Samplers: William and Mary Howitt. University of Kansas Press. 77 |
| Textual Production | Mary Carpenter | Tuckerman (1778 - 20 April 1840) was a Unitarian minister whose work among Boston's poorest earned him the title of the father of American social work. A lifelong friend of William Ellery Channing
, he... |
| Textual Production | Anne Marsh | AM
wrote for her own amusement from an early age. Letters exchanged in November 1813 and the succeeding months, when she was twenty-two, by women of the Wedgwood family, discuss and warmly praise her play... |
| Textual Production | Barbarina Brand, Baroness Dacre | BBBD
was a conscientious and entertaining letter-writer with a large circle of correspondents. The Plymouth and West Devon Record Office
holds a collection of her correspondence from the 1840s with Frances Parker, Countess of Morley |
| Textual Production | Henrietta Maria Bowdler | |
| Textual Production | Ann Radcliffe | AR
was much upset when on the first, anonymous appearance of Joanna Baillie
's Plays on the Passions she was suspected of being the author: especially when she later learned that Anna Seward
, for... |
| Textual Production | A. Mary F. Robinson | In the same year, 1894, AMFR
contributed critical introductions to selections by Felicia Hemans
and Joanna Baillie
in The English Poets, edited by Humphry Ward
(husband of the well-known novelist
). Robinson, A. Mary F. et al. “Critical Introductions”. The English Poets, edited by Thomas Humphry Ward, New Edition, Macmillian, pp. 4: 221 -34. 4: ix-x |
| Textual Production | Maria Jane Jewsbury | MJJ
took occasion, in a review of Joanna Baillie
for the Athenæum, to praise not only Baillie but also Ann Radcliffe
, Elizabeth Inchbald
, and Mary Wollstonecraft
. Wilkes, Joanne. “’Only the broken music’? The Critical Writings of Maria Jane Jewsbury”. Women’s Writing, Vol. 7 , No. 1, pp. 105-18. 115 |
| Textual Production | Mary Russell Mitford | It seems that MRM
first caught the ambition of being a writer from her teacher Frances Arabella Rowden
. Her early letters about her own poetry are also largely concerned with Rowden's Pleasures of Friendship... |
| Textual Production | Margaret Holford | After her marriage Margaret Hodson published through John Murray
in 1827 a volume of hymns designed especially for those facing death, written or else collected by herself. In September that year Joanna Baillie
thanked her... |
| Textual Production | Lucy Aikin | LA
memoir of Anna Letitia Barbauld
, in her edition of Barbauld's Works, June 1825, represents a well-planned if largely unsuccessful attempt to establish and preserve Barbauld's reputation after systemic attack by political conservatives... |
| Textual Features | Maria Jane Jewsbury | MJJ
used the Athenæum to express her opinions on women's writing. A review of Anna Maria Hall
's Sketches of Irish Character criticizes the author's erroneous ambition Athenæum. J. Lection. 182 (1831): 262 |
| Textual Features | Margaret Holford | Joanna Baillie
was moved by these verses and judged them to be indeed an affectionate & touching lament for the Beautiful & brave. She liked particularly the sentiment that every stranger who looked on his... |
| Textual Features | Christian Isobel Johnstone | The title-page of the first quotes from Francis Bacon
(Knowledge is Power) and from the mother of Sir William Jones
(Read and you will know). Johnstone, Christian Isobel. Diversions of Hollycot. Oliver and Boyd. title-page |
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