Hannah More

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Standard Name: More, Hannah
Birth Name: Hannah More
Nickname: Nine
Pseudonym: A Young Lady
Pseudonym: The Author of Percy
Pseudonym: H. M.
Pseudonym: Will Chip, a Carpenter
During her long and phenomenally productive career HM wrote plays, poems, a single novel and much social, religious, and political commentary. She was the leading conservative and Christian moralist of her day. Her political opinions were reactionary, and her passionate commitment to educating the poor and lessening their destitution has been judged as marred by its paternalist tone. But she was a pioneer educator and philanthropist, with enormous influence on the Victorian age.
Orlando gratefully acknowledges help with this document from Mary Waldron. Any flaws or errors are, of course, not hers.
Photograph of a painting of Hannah More by Henry William Pickersgill, 1822. She is seated on a red-upholstered chair beside a little table draped in red fabric and bearing a quill pen, inkwell, and piece of paper. She wears a blue-green mantle with V neck and creamy fabric at the cuffs and neckline, finished with a ruff around her neck. She has a gold shawl and a cap topped with pale blue ribbons. More wrote that she was "condemned, sorely against her will," to sit for this portrait. The version here, in th

Connections

Connections Author name Excerpt
Literary responses Elizabeth Hamilton
The Critical Review took occasion from this work to link EH with Hannah More and Maria Edgeworth as three distinguished female writers who do honour to the countries of England, Ireland, and Scotland; but its...
Literary responses Charlotte Maria Tucker
Marshall's prediction proved true: CMT 's audience disappeared as the Victorian age ended. However, the Dictionary of Literary Biography acknowledges that her successful introduction of imaginative richness into didactic literature influenced other authors and established...
Literary responses Mariana Starke
The Critical Review was unappreciative. It thought that letters were the wrong form for this information and that while MS 's account of her own travels had merit, her catalogues of churches, pictures, amenities, and...
Literary responses Elizabeth Carter
Ann Thicknesse dedicated to Carter the first version of her Sketches of the Lives and Writings of the Ladies of France, 1778, saying she wanted to head a work which celebrated French talent with...
Literary responses Ann Batten Cristall
The Critical Review discerned in the collection considerable merit and the hand of genius: so much so that it felt it safe to overlook a few blemishes (though it mentioned some for the sake...
Literary responses Stéphanie-Félicité de Genlis
Notices in the British Review and other English journals were fairly appreciative, but quick to compliment British women writers at the expense of the French, as if the book had been a challenge to their...
Literary responses Elizabeth Smith
Hannah More praised the recently-dead ES in Coelebs in Search of a Wife, setting her in the distinguished company of Elizabeth Carter for acquirements which would have been distinguished in an University, meekly softened...
Literary responses Charlotte Lennox
Samuel Johnson pronounced in conversation that CL was worthy to rank with the exceptional women Carter , More , and Burney : more yet, she was superiour to them all.
Boswell, James, 1740 - 1795. Boswell’s Life of Johnson. Editors Hill, George Birkbeck and Laurence Fitzroy Powell, Clarendon, 1934, 6 vols.
4: 275
Literary responses Harriett Mozley
This work aroused unease in the Athenæum reviewer, who feared that such probing and scrutiny of feelings, fancies, small cares and small intrigues
Athenæum. J. Lection.
739 (1841): 994
was more likely to render its young readers sanctimoniously...
Literary responses Ann Yearsley
More and Elizabeth Montagu admired AY as a primitive, untrained writer whose excellence came from nature, not from carefully nurtured ability: as a phenomenon verging on a freak. More's Prefatory Letter to Yearsley's Poems, on...
Literary responses Hester Mulso Chapone
Her brother John wrote of the Praises that resound on all Sides following the publication of this book, though he regretted that reviewers, in praising the moral content, had ignored the literary style.
qtd. in
Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon, 1990.
231
Recently Sylvia Harcstark Myers
Literary responses Sarah Trimmer
The Critical Review gave this work a warm welcome.
Critical Review. W. Simpkin and R. Marshall, 5 series.
66 (1788): 74-5
The British Critic praised the 1801 edition in a lengthy review, and said there was no woman except Hannah More doing such sterling...
Literary responses Lydia Howard Sigourney
Edgar Allan Poe , reviewing this book for the Southern Literary Messenger, thought that LHS did too much borrowing: from Hannah More , William Cowper , William Wordsworth , and Byron . Critic Emily Stipes Watts
Literary responses Catharine Macaulay
Her biographer Bridget Hill identifies CM 's fame as having lasted fifteen years: from the publication of her first volume to the date of her second marriage (1763-78). But in fact she continued to command...
Literary responses Anna Letitia Barbauld
Literary admirers of the hymns included Hannah More , Anna Seward , and Elizabeth Carter , who found some passages amazingly sublime.
McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008.
193
The innumerable children who loved and later remembered them included Mary Anne Schimmelpenninck

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