Gittings, Robert. Young Thomas Hardy. Penguin.
122-3
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Features | Thomas Hardy | TH
's earliest poems, written in London, reflect the influence of Shakespeare
and George Meredith
on one hand, Gittings, Robert. Young Thomas Hardy. Penguin. 122-3 |
Publishing | Thomas Hardy | TH
's first novel, The Poor Man and the Lady, was rejected in turn by Macmillan
(after reading by Alexander Macmillan
and John Morley
), by Chapman and Hall
(after reading by George Meredith |
Occupation | Cicely Hamilton | This role led to several more in productions of plays by George Meredith
, J. M. Barrie
, and others. Whitelaw, Lis. The Life and Rebellious Times of Cicely Hamilton. Women’s Press. 131-2 |
Friends, Associates | Sarah Grand | In 1896 SG
met George Meredith
(who had rejected her manuscript of The Heavenly Twins some years earlier) and Alice Meynell
in the Surrey Hills, at Burford Bridge Hotel,Box Hill, near Dorking. Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press. 89-90 |
Publishing | Sarah Grand | It took her three years to find a publisher willing to take on its controversial subject-matter. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge. 245 |
Literary responses | Sarah Grand | Feminists, social reformers, and literary men, such as Mark Twain
, George Meredith
, and George Bernard Shaw
, greeted this novel with excitement and appreciation. Mitchell, Sally, and Sarah Grand. “Introduction”. The Beth Book, Thoemmes, p. v - xxiv. vi |
Literary responses | Sarah Grand | The Times Literary Supplement called this novel a preposterous story, preposterously related. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge. 544 |
Textual Production | Sarah Grand | An entire literary-social movement evolved alongside SG
's writings about the New Woman. New Woman fiction, amounting to a new genre, had already been produced by George Egerton
in 1893, and was produced by Iota (Kathleen Caffyn) |
Friends, Associates | Michael Field | They made a friend of George Meredith
some time before 1890 and visited him often. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 66 |
Literary responses | Michael Field | George Meredith
wrote to thank the poets for sending him his much treasured copy. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 67 |
Literary responses | Michael Field | In a letter, George Meredith
called MF
's characterization of Mary an arresting study.. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 71 Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 70 |
Literary responses | Michael Field | George Meredith
liked the poetry of this play, but had some reservation about the effectiveness of several scenes. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 88 |
Literary responses | Michael Field | George Meredith
thought the play would act well but added this criticism: I do not find in your dramatic prose the complete ring that there is in the sound and volume of your blank verse... |
Literary responses | Michael Field | George Meredith
wrote to MF
after reading Attila, My Attila!, admitting that he had little praise for the line or the characters. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 90 |
Theme or Topic Treated in Text | Michael Field | Both Edith and Katharine contributed to this extraordinary journal, giving their impressions of travel, art, religion, death, and love. They also record encounters with their literary contemporaries, including Robert Browning
, George Meredith
, John Ruskin |
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