The Academy.
11 (3 February 1877): 91
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | Emily Brontë | This bowdlerized version of EB
's novel and her poetry circulated widely and received many reviews. H. F. Chorley
in the Athenæum pronounced the re-publication of the two novels an illustration of English female genius... |
Literary responses | Christina Rossetti | The copies printed were distributed among friends and family. They all enjoyed the poems except Christina's brother Gabriel
, who somewhat cattily wrote to their mother: I should advise her to console herself with the... |
Literary responses | Katharine Tynan | In his review for the Evening Herald, W. B. Yeats
judged that this volume was well nigh in all things a thoroughly Irish book, springing straight from the Celtic mind and pouring itself out... |
Literary responses | Christina Rossetti | Dante Gabriel Rossetti
disliked The Lowest Room, believing it too much influenced by Elizabeth Barrett Browning
's falsetto muscularity. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 184 |
Literary responses | A. Mary F. Robinson | Reviewers found in it a naiveté and artlessness which clearly pleased them. The Academy found the poems so natural sometimes with their faults and their freshness that they affect one like voices out of the... |
Literary responses | George Eliot | Many friends of GE
including Edith J. Simcox
, plus biographers such as Gordon S. Haight
, believed that readers had reason to be grateful to G. H. Lewes
for his tireless protection of GE |
Literary responses | Christina Rossetti | Arthur Munby
read with strong admiration & pleasure Hudson, Derek, and Arthur Joseph Munby. Munby, Man of Two Worlds. J. Murray. 119 |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Christina Rossetti | The most highly-regarded piece in this collection is Monna Innominata: A Sonnet of Sonnets (whose title means that it has as many poems as a sonnet has of lines). CR
's preface to this sequence... |
Intertextuality and Influence | Christina Rossetti | When William
had a poem published in the Athenæum, however, Christina allowed Gabriel
to select and retitle two of her poems for submission. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 88, 106 |
Intertextuality and Influence | Augusta Webster | |
Intertextuality and Influence | Margiad Evans | As a story-teller Evans has a sure grasp, making every tiny detail contribute to an effect which is understated but emotionally powerful. The named character in Miss Potts and Music is largely a peg for... |
Intertextuality and Influence | Jane Francesca, Lady Wilde | Elgee's translation gained this novel a wider audience. In later years Dante Gabriel Rossetti
developed a positive passion for it, and it became very popular with the Pre-Raphaelites
. Murray, Isobel. “Sidonia the Sorceress: Pre-Raphaelite Cult Book”. Durham University Journal, Vol. 75 , No. 1, pp. 53-7. 53 |
Friends, Associates | Mary Shelley | MS
also met the leading women writers of her later years: Jane Porter
, Catherine Gore
, Caroline Norton
, and LEL
. She was friendly, too, with Thomas Moore
, Prosper Mérimée
, Washington Irving |
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