Hattersley, Roy. “The Darling of Hampstead”. The Guardian, pp. 6-7.
7
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Kathleen Raine | She followed it with a brief study of Coleridge done for the British Council
in 1953 (one of the Bibliographical Supplements to British Book News), and with a critical Introduction to his selected Poems... |
Textual Production | Margaret Drabble | She had met Wilson, a fellow-novelist, on a British Council
visit to Wales, and had come to know him as well as to admire his writing. Hattersley, Roy. “The Darling of Hampstead”. The Guardian, pp. 6-7. 7 |
Textual Production | Kathleen Raine | The book was published for the British Council
and the National Book League
. There were later a number of revised editions. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research. 20: 288 |
Textual Production | Pamela Hansford Johnson | In late 1951 she wrote a booklet for the British CouncilWriters and their Work series on Ivy Compton-Burnett
, who was only just beginning to attract attention among those interested in the craft of... |
Textual Production | Helen Dunmore | |
Textual Production | Bernardine Evaristo | BE
and Maggie Gee
jointly edited NW15: The Anthology of New Writing Volume 15 (in a series whose titles have seen several changes), published through Granta
and the British Council
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Carol Rumens | Her author statement for the British Council
website says that poetry is a conversation—with my parents, with myself, with the living, with the dead, with friends, with strangers, and perhaps with words themselves. British Council Film and Literature Department, in association with Book Trust. Contemporary Writers in the UK. http://www.contemporarywriters.com. |
Textual Features | Deborah Levy | The British Council
website on writers points out that despite its slangy style and up-to-the-minute references (contemporary, bathetic and very funny), this work has its structural roots in medieval poetic dialogues, in the... |
Textual Features | A. S. Byatt | |
Residence | Willa Muir | Willa
and Edwin Muir
moved to from St Andrews to Edinburgh after Edwin obtained a job with the British Council
, organizing activities and lectures for foreign allies housed in the city. Muir, Willa. Belonging. Hogarth Press. 208-9 Muir, Edwin. An Autobiography. Hogarth Press. 249 |
Residence | Willa Muir | After the war Willa
and Edwin Muir
moved back to Prague (where they had lived briefly in 1921-2) when Edwin was appointed Director of the city's British Institute
(funded by the British Council
). Muir, Willa. Belonging. Hogarth Press. 211, 214 |
Residence | Willa Muir | The Muirs' stay in Italy ended abruptly and sooner than they would have liked when the British government withdrew its funding to the British Council
for European branches of the British Institute
. Muir, Willa. Belonging. Hogarth Press. 262 |
Reception | Alison Fell | Judith Kazantzis
praised the poems in this collection as [f]ine, spare yet fluent, occasionally redblooded, exuberant with assured depictions of bleak blowy landscapes which are nevertheless beautiful. Fell, Alison. Kisses for Mayakovsky. Virago. cover |
Reception | Ivy Compton-Burnett | During the early part of ICB
's career she was little regarded or understood. Raymond Mortimer
was one of the first to perceive her quality, and she quickly began to attract the attention of younger... |
Reception | P. D. James | PDJ
held many influential positions in the arts community. She was a Governor of the BBC
(1988-93), a Member of the BBC General Advisory Council (1987-8), Chairman of the Literature Advisory Council
at the Arts Council of Great Britain |
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