Faber and Faber

Connections

Connections Sort descending Author name Excerpt
Publishing Djuna Barnes
DB had tried to find a publisher for Nightwood while she was living in New York, but the manuscript was turned down repeatedly. Emily Coleman suggested revisions, which Barnes carried out. Coleman also exploited literary...
Publishing Mary Butts
This book, originally titled Alexander the Great, was completed in 1931, but MB had some difficulty getting it published. She sent her manuscript to T. S. Eliot at Faber and Faber , but he...
Publishing Djuna Barnes
T. S. Eliot was once again instrumental in editing her manuscript and recommending it for publication with Faber and Faber . However, he wrote a blurb for the play which suggested frustration at DB 's...
Publishing Julia O'Faolain
This novel met with the threat of a libel action (about which Charles Monteith of Faber and Faber was stoical) from a woman whom JOF described in hyperbolic terms as having a termite-infested bed. O'Faolain...
Publishing T. S. Eliot
Its date—the first celebration during World War Two of the Christian festival of resurrection—was significant, and was also a factor in the poem's impact. Reprinted as a separate publication by Faber and Faber in May...
Publishing Alison Uttley
After many rejections, AU began a series involving the scapegrace Tim Rabbit with The Adventures of No Ordinary Rabbit, published by Faber in November 1937, with illustrations by Alec Buckels . Years later, a...
Publishing Ann Jellicoe
The play opened in Cambridge because the Royal Court , despite their earlier supportiveness, wanted to test the waters before staging another Jellicoe play in London. AJ credits John Osborne for persuading them to produce...
Publishing Djuna Barnes
Most of DB 's later publications were collections of previously published works. Her Selected Works, which included Spillway (a collection of short stories), The Antiphon, and Nightwood, were published in the USA...
Publishing Julia O'Faolain
Her father, Sean O'Faolain , had included in his Collected Stories, 1983, a piece whose title reproduces the Yeats phrase exactly: No Country for Old Men.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
JOF got the idea for this novel...
Publishing Frances Cornford
In order that her son should be the illustrator of this volume, Cornford rejected an offer from Faber and Faber to publish her poems.
Dowson, Jane et al. “Introduction”. Selected Poems, edited by Jane Dowson and Jane Dowson, Enitharmon Press, p. xiii - xxv.
xv
Publishing Alison Uttley
Invited by Richard de la Mare in February 1934 to write a successor to The Country Child, AU first planned a fictional treatment to be called High Meadows (published in 1938), then began in...
Publishing Tillie Olsen
The stories were I Stand Here Ironing, Hey Sailor, What Ship?, O Yes, and the title story. Lippincott , who first published the volume, lost money on it. It was published in...
Publishing Alison Uttley
The Farm on the Hill brought AU a thirty-pound advance from Faber . At a price of seven and sixpence, it sold 1,300 copies by the autumn.
Judd, Denis. Alison Uttley. Michael Joseph.
172-3
Publishing George Orwell
GO completed his well-known satirical fable, Animal Farm, which was rejected for publication by Gollancz , Cape , Collins , and Faber (in the person of T. S. Eliot ).
Meyers, Jeffrey. A Reader’s Guide to George Orwell. Littlefield, Adams.
41
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Publishing Alison Uttley
At the end of that year, Faber rejected The Secret Spring, as did another publisher in February 1933. AU then wrote off that project, since she had plenty more on hand.
Judd, Denis. Alison Uttley. Michael Joseph.
124
When Cuckoo...

Timeline

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Texts

Eliot, T. S. The Elder Statesman. Faber and Faber, 1959.
Eliot, T. S. The Family Reunion. Faber and Faber, 1939.
Eliot, T. S. The Idea of a Christian Society. Faber and Faber.
Eliot, T. S. The Letters of T.S. Eliot. Editor Eliot, Valerie, Faber and Faber, 1988.
Eliot, T. S. The Waste Land Drafts. Editor Eliot, Valerie, Faber and Faber, 1971.
Ellmann, Richard. Yeats: The Man and the Masks. Faber and Faber, 1961.
Empson, William. The Gathering Storm. Faber and Faber, 1940.
Farjeon, Eleanor, and Clare Leighton. Perkin the Pedlar. Faber and Faber, 1932.
Figes, Eva. B. Faber and Faber, 1972.
Figes, Eva. Little Eden. Faber and Faber, 1978.
Ham, Elizabeth. “Introduction”. Elizabeth Ham, by Herself, 1783-1820, edited by Eric Gillett, Faber and Faber, 1945, pp. 5-12.
Goodman, Lizbeth, editor. Mythic Women/Real Women. Faber and Faber, 2000.
Graves, Robert von Ranke. The White Goddess. Faber and Faber, 1948.
Greer, Germaine, editor. 101 Poems by 101 Women. Faber and Faber, 2001.
Ham, Elizabeth. Elizabeth Ham, by Herself, 1783-1820. Editor Gillett, Eric, Faber and Faber, 1945.
Hughes, Ted, and Sylvia Plath. “Introduction”. Collected Poems, Faber and Faber, pp. 13-17.
Hughes, Ted. Letters of Ted Hughes. Editor Reid, Christopher, Faber and Faber, 2007.
Huxley, Elspeth. Peter Scott: Painter and Naturalist. Faber and Faber, 1993.
Huxley, Elspeth, and Margery Perham. Race and Politics in Kenya. Faber and Faber, 1944.
Iremonger, Lucille. The Ghosts of Versailles. Faber and Faber, 1957.
James, P. D. A Certain Justice. Faber and Faber, 1997.
James, P. D. A Mind to Murder. Faber and Faber, 1963.
James, P. D. A Taste for Death. Faber and Faber, 1986.
James, P. D. An Unsuitable Job for a Woman. Faber and Faber, 1972.
James, P. D. Cover Her Face. Faber and Faber, 1962.