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Samuel Robinson
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sarah Trimmer | It was issued by a group of publishers: Longman
, the Robinsons
, and Joseph Johnson
. |
Textual Production | Mary Hays | She had finished writing it by early May. Her publisher was Robinson
, who also published Godwin. He advertised the novel just before publication. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon, 1993. 94-5 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 677 |
Textual Production | Barbara Hofland | BH
published with G. and S. Robinson
the epistolary Iwanowna; or, The Maid of Moscow. A Novel; the title-page identifies her only by a list of some of her previous work. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 381 Feminist Companion Archive. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Inchbald | A two-act farce by EI
, Appearance is Against Them (played at Covent Garden
the previous month), was published by George Robinson
. Critical Review. W. Simpkin and R. Marshall, 5 series. 60 (1785): 393 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 34 |
Textual Production | Germaine de Staël | GS
published her successful and controversial novel Delphine; two separate English translations appeared in 1803: one from Mawman
by April, and one from Robinsons
(delayed by a warehouse fire) by May. Winegarten, Renee. Mme de Staël. Berg, 1985. 122 Critical Review. W. Simpkin and R. Marshall, 5 series. 2d ser. 38 (1803): 48 |
Textual Production | Sarah Harriet Burney | The publishers were G. G. and J. Robinson
. The novel's appearance almost coincided with that of Frances Burney's Camilla. SHB
seems proudly, even huffily, to have rejected the idea of arranging for some... |
Textual Production | Charlotte Smith | CS
dated the preface (an innovation for her) to Desmond: A Novel, published through G. G. J. and J. Robinson
, the first of her works to be titled with a man's name. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 574 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 140, 142 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press, 1971. xxiii |
Textual Production | Catherine Cuthbertson | |
Textual Production | Catherine Cuthbertson | CC
, as the author of Santo Sebastiano and Romance of the Pyrenees, published with George RobinsonThe Forest of Montalbano. A Novel in four volumes. Critical Review. W. Simpkin and R. Marshall, 5 series. (1810) 3d ser. 20: 335 |
Textual Production | Frances Jacson | Fifteen years after her most recent book, FJ
published a novel entitled Things By Their Right Names, with a different publisher, Robinson
, and under a pseudonym, A Person without a Name. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
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