Larkin, Philip, editor. The Oxford Book of Twentieth-Century English Verse. Clarendon Press.
34
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Kathleen Jamie | KJ
has written scripts for radio programmes, like The Whale Road, about the arches made of whale bones which stand here and there in Britain (BBC Radio 3
, 2008), and Norn But... |
Textual Production | G. B. Stern | GBS
often broadcast on the BBC
. She reviewed books, and later remembered an encounter with an old typescript of a review of A. E. Gallatin
's Sir Max Beerbohm
—Bibliographical Notes, 1944, during... |
Textual Production | Elizabeth Gaskell | There were nine editions of Cranford during EG
's lifetime, but another 160 appeared between her death and 1947 (almost as many in the USA as in Britain), and it appeared twice in German translations... |
Textual Production | Jean Rhys | Diaz needed the author's permission for the performance, and on November 5th she put an advertisement in the New Statesman to find her. At this point, Rhys was living in obscurity in the country, and... |
Textual Production | Agatha Christie | The origin of the stage play was a radio play. Elizabeth Jenkins
tells a story that this was based on the actual killing of a war evacuee by the farmer with whom he and his... |
Textual Features | Elspeth Huxley | For The Times in the 1930s her subjects included the gold rush at Kakamega in Kenya's only tropical rain forest, and New Deal farming in the American South. In March 1938 she embarked... |
Textual Features | Wendy Cope | The title punctures its own potential pretentiousness with reference to The Archers, the much-loved BBC
radio serial of country life. Cope's prose style, like her poetry, is dialogic and punchy. When she gave up... |
Textual Features | Anne Ridler | The third play, The Mask was inferior as a stage play, in AR
's later judgement, to its radio version (in which she collaborated with her cousin Robin Milford
, who wrote the music, and... |
Textual Features | Olivia Manning | The Man Who Stole a Tiger strikes a different note. It begins in Jerusalem but ranges as far as the Congo. A scrawny, tubercular soldier with a criminal record, presented without sympathy or understanding... |
Textual Features | Lesley Storm | This play effectively portrays the aftermath in Britain of the defection of Guy Burgess
and Donald Maclean
, who fled to the Soviet Union on 25 May 1951 after years of spying for Communist
Russia... |
Textual Features | Alice Meynell | The Rainy Summer exemplifies her lively descriptions of landscape; it ends, Bees, humming in the storm, carry their cold / Wild honey to cold cells. Larkin, Philip, editor. The Oxford Book of Twentieth-Century English Verse. Clarendon Press. 34 |
Textual Features | Viola Meynell | Correspondents represented in the volume include Freya Stark
, as well as Bernard Shaw
, Siegfried Sassoon
, and Walter de la Mare
. This volume was adapted for television by the BBC
in 1988, without crediting VM
. MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen. 349 |
Textual Features | Helen Dunmore | About half of these nineteen very short stories (averaging less than ten pages apiece) are reprinted from magazines—Stand, the Irish Tatler, Writing Women, London Magazine—or anthologies. Short Days, Long Nights... |
Textual Features | Catherine Cookson | In the particularly teasingly titled Go Tell It to Mrs. Golightly, 1977, a blind girl staying with her grandfather discovers a kidnapping. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Jones, Kathleen. Catherine Cookson: The Biography. Constable. 272 |
Textual Features | Kathleen Jamie | This collection keeps in mind the Scots element in the title as well as the birth element. It interprets the latter broadly to include various metaphorical kinds of birth and renewal. KJ
writes here in... |
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