Eisen, Kurt. “Louise Page”. British Playwrights, 1956-1995. A Research and Production Source Book, edited by William W. Demastes, Greenwood Press, pp. 291-00.
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Connections Sort ascending | Author name | Excerpt |
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Textual Production | Pam Gems | PG
's next two plays, both about historic periods of violent revolutionary struggle, were not well received. La Pasionara, produced at the Newcastle Playhouse
in 1985, was based on the life of Dolores Ibarruri |
Textual Production | Louise Page | In 1992 an educational grant from the Royal Shakespeare Company
funded LP
's adaptation, for children, of Antigone by Sophocles
, entitled Royal Blood Bath 3. Eisen, Kurt. “Louise Page”. British Playwrights, 1956-1995. A Research and Production Source Book, edited by William W. Demastes, Greenwood Press, pp. 291-00. 292 |
Textual Production | Marina Warner | MW
's W. D. Thomas
Memorial Lecture given at the University of Wales
, Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera... |
Reception | Aphra Behn | The late twentieth century saw a number of performances of plays by Behn. The Rover's many productions seem to have begun with the one at Colchester in Essex in 1978. Brophy, Brigid. Baroque-’n’-Roll. Hamish Hamilton. 163 |
Reception | Michelene Wandor | Time Out discerned in this sequence an astonishing density of feeling. Michelene Wandor. http://www.mwandor.co.uk/. |
Publishing | Louise Page | During the same year, 1986, a commission for LP
from the Royal Shakespeare Company
resulted in an anti-war play called Hawks and Doves. Ten years after the commission the play had not been produced... |
Performance of text | Timberlake Wertenbaker | The Royal Shakespeare Company
moved its production to London in August 1989; the play had been published earlier that year. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Performance of text | Pam Gems | The Royal Shakespeare Company
included the play in their regional tour, after which it transferred to the Globe Theatre
in London. Harvard University
holds a video-recording of a performance of this play in Hebrew. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Performance of text | Jackie Kay | She and Jo Shapcott
read their poems (together with rising starsJay Bernard
and Kayo Chingonyi
) at the Royal Shakespeare Company
's redesigned Swan Theatre at Stratford on 3 December 2010. Uncertainty is Not a Good Dog. |
Performance of text | Deborah Levy | DL
's Heresies opened at the Barbican Theatre (The Pit)
in London in a production by the Royal Shakespeare Company
. “Deborah Levy”. doollee.com The Playwrights Database. Levy |
Performance of text | Hilary Mantel | Despite her earlier unwillingness to spend time on adaptations, HM
collaborated with Mike Poulton
on the stage adaptations of her first two Cromwell novels, under the same titles.Both plays opened in productions by the Royal Shakespeare Company |
Performance of text | Louise Page | Golden Girls, a play by LP
about women athletes, was staged by the Royal Shakespeare Company
at their small theatre, the Other Place
. It was published in March 1985. Page, Louise. Plays: 1. Methuen. 216 Whitaker’s Books in Print. J. Whitaker and Sons. (1988) |
Performance of text | Margaret Atwood | The day before International Women's Day 2007, the Canadian National Arts Centre / Centre Nationale des Arts
announced that donations from seven individual Canadian women were funding a production of MA
's stage adaptation of... |
Performance of text | Harold Pinter | The Royal Shakespeare Company
scored a notable success with HP
's play The Homecoming, written the previous year, directed by Peter Hall
. Borne Back Daily. http://borneback.com/ . 3 June 2009 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Performance of text | Harold Pinter | Landscape and Silence, a pair of short plays by HP
, were directed for the RSC
by Peter Hall
, having been delayed while Pinter battled the Lord Chamberlain (the British censor) for the... |
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