The Teresa Deevy Archive. http://deevy.nuim.ie/.
Timeline
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Jennifer Johnston | Her Selected Short Plays, published in 2003, includes the texts of Moonlight and Music (a one-acter first produced during the YK2 Festival at Dublin in 2000),Mustn't Forget High Noon, O Ananias, Azarias... |
Performance of text | Teresa Deevy | The Abbey Theatre
put on TD
's powerful new one-act play entitled The King of Spain's Daughter. The Teresa Deevy Archive. http://deevy.nuim.ie/. Timeline McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/. |
Performance of text | Augusta Gregory | AG
's The Travelling Man, a miracle play co-written with W. B. Yeats
, was first produced at the Abbey
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi Saddlemyer, Ann. In Defence of Lady Gregory, Playwright. Dufour Editions. 75 |
Author summary | Augusta Gregory | Augusta Gregory
was a highly energetic and creative force in the Irish Literary Revival, which began in the late nineteenth century. Material from her collections and translations of Irish folklore, epics, and oral poetry inspired... |
Author summary | Catherine Carswell | CC
is best known for her 1920 novel, Open the Door!, and her insightful critical biography of her close friend D. H. Lawrence
. Her literary corpus consists of two novels, three biographies, and... |
Publishing | Teresa Deevy | Ernest Blythe
, the new managing director of the Abbey Theatre
, Dublin, rejected TD
's latest play, Wife to James Whelan. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/. |
Publishing | George Bernard Shaw | The play was supposed to be performed at the Abbey Theatre
in Dublin, but the directors were concerned that its honest portrayal of Ireland would alienate their audience. |
Publishing | Teresa Deevy | Meanwhile TD
had signed a contract with the Abbey Theatre
for her next play, Holiday House, in early 1939. But the play was never produced, and Deevy was never able to get an honest... |
Publishing | Michael Field | The second of these was the play which had not only appeared alone in print but had also been staged, in October 1893. A decade after that, in 1903, William Butler Yeats
had turned down... |
Reception | Teresa Deevy | This work was awarded, jointly with Paul Vincent Carroll
's Things that are Caesar's, the Abbey
's prize for new playwrights. It was revived at the Abbey
in late August 1937. Frank O'Connor
wrote... |
Reception | Augusta Gregory | Bernard Shaw
saw Lady Gregory as a born playwright . . . . doomed from the cradle to write for the stage, to break through every social obstacle to get to the stage, to refuse... |
Textual Features | Constance, Countess Markievicz | The play is written in the style and language of peasant plays made popular earlier in the century by the Abbey Theatre
. Markievicz's three central characters are: Eileen, the heroine who is a physically... |
Textual Production | Teresa Deevy | TD
's next play for the Abbey Theatre (after her hit, Katie Roche), turned from the present to the past: The Wild Goose, set in 1692 with the oppression of the Penal Laws... |
Textual Production | Augusta Gregory | AG
published an historical account of the Abbey Theatre
entitled Our Irish Theatre, subtitled A Chapter of Autobiography. Smythe, Colin et al., editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, pp. 1-12. 8 McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525. xvii |
Textual Production | Augusta Gregory |
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