Abbey Theatre

Connections

Connections Sort descending Author name Excerpt
Performance of text Teresa Deevy
TD had her great success with the play Katie Roche, which after its debut at the Abbey Theatre , Dublin, was in 1938 seen both at the Abbey's festival (alongside work by O'Casey
Performance of text George Bernard Shaw
Lady Gregory and W. B. Yeats produced GBS 's The Shewing-Up of Blanco Posnet: A Sermon in Crude Melodrama at the Abbey Theatre , Dublin.
Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998.
xxv
Performance of text Teresa Deevy
The only new TD play seen in connection with the Abbey , Dublin, after the rejection of Wife to James Whelan was Light Falling (already heard on radio), staged by Ria Mooney and the...
Author summary Catherine Carswell
CC is best known for her 1920 novel, Open the Door!, and her insightful critical biography of her close friend D. H. Lawrence . Her literary corpus consists of two novels, three biographies, and...
Author summary Augusta Gregory
Augusta Gregory was a highly energetic and creative force in the Irish Literary Revival, which began in the late nineteenth century. Material from her collections and translations of Irish folklore, epics, and oral poetry inspired...
Publishing Teresa Deevy
Meanwhile TD had signed a contract with the Abbey Theatre for her next play, Holiday House, in early 1939. But the play was never produced, and Deevy was never able to get an honest...
Publishing Michael Field
The second of these was the play which had not only appeared alone in print but had also been staged, in October 1893. A decade after that, in 1903, William Butler Yeats had turned down...
Publishing George Bernard Shaw
The play was supposed to be performed at the Abbey Theatre in Dublin, but the directors were concerned that its honest portrayal of Ireland would alienate their audience.
Publishing Teresa Deevy
Ernest Blythe , the new managing director of the Abbey Theatre , Dublin, rejected TD 's latest play, Wife to James Whelan.
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. 2009, http://dib.cambridge.org/.
Reception Teresa Deevy
This work was awarded, jointly with Paul Vincent Carroll 's Things that are Caesar's, the Abbey 's prize for new playwrights. It was revived at the Abbey in late August 1937. Frank O'Connor wrote...
Reception Augusta Gregory
Bernard Shaw saw Lady Gregory as a born playwright . . . . doomed from the cradle to write for the stage, to break through every social obstacle to get to the stage, to refuse...
Textual Features Constance Countess Markievicz
The play is written in the style and language of peasant plays made popular earlier in the century by the Abbey Theatre . Markievicz's three central characters are: Eileen, the heroine who is a physically...
Textual Production Augusta Gregory
AG was very pleased with herself for being able to write a full-length play with only three characters. When she told Yeats this, he replied: They must have a great deal to talk about.
qtd. in
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, 1995, pp. xi - xliv, 525.
544
Textual Production Augusta Gregory
When the Abbey wished to stage Molière, because his plays seemed akin to our own,AG translated his work into Kiltartan dialect because she could not find an English translation that could go across the...
Textual Production Catherine Byron
CB issued her second volume of poetry, entitled Samhain—which was originally the title of a journal published by W. B. Yeats from October 1901 to November 1908 to publicize productions at the Abbey Theatre .
Whitaker’s Books in Print. J. Whitaker and Sons, 1988–2003.
(1988)
Byron, Catherine. Settlements; &, Samhain. Loxwood Stoneleigh, 1993.
prelims
Kindley, Evan. “Ismism”. London Review of Books, Vol.
36
, No. 2, 23 Jan. 2014, pp. 33-5.
33
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.

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